Julie Dobbins

A Visit With Penny Ehrenkranz

2011-12-09T14:25:00.000-06:00

Today we have the privilege of having Penny Ehrenkranz as our guest. Penny has a couple of books that have just been released, so I've asked her to tell us about them:

Hi Julie, thank you for hosting me today. I appreciate the support! I want to let your readers know that I’m running a contest during my blog tour. I’ll be collecting names of everyone who comments (so be sure to leave contact information). At the end of the tour, all the names will go in the hat, and I will choose two winners. One person will receive a copy of Lady-in-Waiting and the other a copy of Mirror, Mirror.

Mirror, Mirror is set in 1421 and Lady In Waiting is set in an early time period as well. Did you have to do a lot of research for the two stories?

I didn’t have to do as much as I would have if these were longer stories. Lady-in-Waiting is around 10,000 words, and Mirror, Mirror is around 7,000. I did research about food, clothing, home construction and tried to make the stories ring true. I used the Internet as well as a couple of my own reference books about the middle ages and the Renaissance period.

What can you tell us about the books without spoiling the plot?

TITLE: Lady-in-Waiting

Tag Line: Through a series of misunderstandings, Mabriona is forced to live a lie, but when the man she loves awakes from his coma, will she confess her deceit?

Blurb: Mabriona is cousin to the beautiful and spoiled Princess Alana. When Alana is forced to marry a man she despises, Mabriona is torn between her loyalty to her cousin and her attraction to the handsome Prince Blayne.

Tragedy befalls the cousins on the way to Prince Blayne’s castle. Servants, believing Mabriona to be Alana, refuse to listen when she tries to explain.

While she waits for Blayne to recover, Mabriona meets his equally handsome younger brother, Madoc, a bard.

When Blayne awakes, will Mabriona choose life with a future king, will she be sent home in disgrace because of her inadvertent lies, or will Madoc win her love with his poetry?

Lady in Waiting released November 18^th. Buy link is: http://tinyurl.com/6u4keh5

TITLE: Mirror, Mirror

Tag Line: Lindsay Baker’s purchase of an antique mirror sends her back in time to salvage a love torn apart by class restrictions.

Blurb: Lindsay Baker is intrigued by everything about the middle ages, but when she purchases an antique mirror and a costume to attend a Renaissance Faire, she suddenly finds herself transported back in time. There she finds she’s been called by a witch to right a terrible wrong.

Graham loves Prudence, but he can’t marry her because he’s landed gentry, and she is only the baker’s daughter. Before Lindsay can return to her own time, she must convince Graham to marry against his father’s wishes. Unfortunately, she also finds herself falling for the handsome gentleman.

Can she find her way back to her own time, or will she be stuck in a time when women had no rights?

Mirror, Mirror will release in December. Buy link for all MuseItUp books: https://museituppublishing.com/bookstore2

How long did it take you to write Lady In Waiting and Mirror, Mirror? Did you write them at the same time?

They were written at different times. When I write novelettes, which is what both of these would be considered, I can generally finish up in a week or less, including final revisions.

Do you have a favorite scene in either book?

Here are a couple of excerpts.

Lady-in-Waiting:

“Today’s the day, Mabriona,” Princess Alana said as Mabriona entered the chambers. She wiped tears from her eyes with an embroidered linen. “Prince Blayne will be here, and soon I’ll be his wife. I think the worst part of being father’s daughter is marrying someone I’ve never even met.”

“You’ve always known your marriage would be arranged for the benefit of the kingdom, Princess, but I’m sure he’ll be very nice,” Mabriona replied as she opened the heavy drapes covering the windows. She looked at her cousin and sighed. She wanted to feel sorry for Alana, but they’d had this discussion so many times. Mabriona was tired of it. Alana had known from the time she was a child that she would not wed for love. Why can’t Alana just accept her fate? Outside the day was as wet as the one before and the one before that.

Mirror, Mirror

After Stefany left, Lindsey adjusted the water spigots on her tub. A few drops of bubble bath went into the water, and the soothing scent of lavender filled the moist, steamy air. While the tub filled, Lindsey tried on her Renaissance outfit for the upcoming Faire. She couldn’t believe her good luck at finding the perfect pieces. She tested the bath water to be sure it was the right temperature. Then she picked up her antique mirror to get a better view. Was this a scryer’s mirror at some point in time? It slipped from her wet hands into the bathtub.

“Nuts,” she mumbled as she leaned over the tub. She pulled one sleeve up on her blouse and fished around in the bubbles for the mirror. When she pulled the mirror from the water, spots appeared in front of her eyes, and she felt faint. While she watched her reflection in the old mirror, the background changed. She no longer saw the inside of her bathroom. She closed her eyes as the room around her went black.

“Nice? Who wants nice? I want someone handsome and dashing. A knight in shining armor who will love me forever. I certainly don’t want someone like my father who will make me do everything I don’t want to do.”

You are a rather prolific writer, to say the least! You have written for young children to adult, fiction and nonfiction, articles and books. Do you have a favorite age and/or genre?

I would have to say my favorite genre is fantasy, but I actually enjoy writing in multiple genres. It keeps me from getting bored. When I first started out as a writer, I quickly learned non-fiction pays better than fiction, which is what steered me in that direction. A lot of my volunteer activities were excellent fodder for those non-fiction articles.

While I enjoy writing fantasy, I find that romance always creeps into my work. I firmly believe that relationships are the basis for much of my work, even when it’s not the primary focus. As for my children’s stories, it’s just plain fun to write for kids. They’re so curious about everything.

When you write, does the story come all at once, like a movie playing in your mind? Or do you get an idea and the story develops as you write?

Interesting you should ask about the movie playing, as this is exactly what happens for me most of the time. I can close my eyes when I’m working on a scene and it plays out for me, ready to be put on paper. In many ways, it’s a combination of both as I may have a good idea for the story, but as it progresses, it ends up with a totally different focus or conclusion. Those characters have a way of making themselves heard.

Sometimes authors get ideas for characters from images like a painting in a museum or someone they pass on the street. Where do you get ideas for characters?

I have gotten character ideas from a lot of different places, including magazine articles, newspaper articles, people I’ve met, and people I’ve seen while “people watching.” My characters do end up being composites, so I doubt if anyone would recognize themselves. Although, that being said, my husband wants me to put him into a story as the romantic interest.

What has been the most difficult part of writing?

Without a doubt the most difficult for me is marketing. Writing is easy as is the editing (although I have to admit editing another author’s work is much easier than editing my own). When it comes to marketing, I just don’t seem to have the imagination others do to come up with unique ways to promote what I’ve written.

Do you have a superpower, and what is it?

As a mom, my superpower has always been being able to see through the back of my head. LOL.

If you could meet anyone from any time period (real or fictional), who would it be?

I don’t think there is anyone specific, although I love chatting with other authors. I’ve devoted my blog to author interviews for that reason. I enjoy reading about their trials and roads to publication. I do like to pick their brains about marketing schemes, too.

What will you be doing next?

These days I seem to be spending more time editing for other authors than getting my own work finished, but I do have a couple of projects going. I’m working on the next book in my MG series, which currently consists of Ghost for Rent and Ghost for Lunch, both due to be released by 4RV Publishing. I’ve also started working on a YA story with a witch as the MC.

Where can your books be purchased? (The most important question!)

Love Delivery, coming August, 2011

http://tinyurl.com/4ajo9wz

http://www.amazon.com/dp/B005GPRQEC

Lady in Waiting, November, 2011

Mirror, Mirror, coming December, 2011

https://museituppublishing.com/bookstore2

A Past and A Future

http://sdpbookstore.com/anthologies.htm

http://www.smashwords.com/books/view/62608

Dragon Sight

http://sdpbookstore.com/storybooks.htm

Ghost for Rent, coming 2012-2013

Ghost for Lunch, coming September, 2013

Many Colored Coats, coming October, 2014

Boo's Bad Day, coming June, 2015

http://4RVpublishingllc.com/Childrens_Books.html

Anything that you would like to add?

I do want to remind everyone who comments to leave contact information, so I can email whoever wins a copy of either Lady-in-Waiting or Mirror, Mirror.

I also want to thank you again for hosting me today.

You are certainly welcome, Penny. I've enjoyed it!

http://tinyurl.com/4ajo9wzhttps://museituppublishing.com/bookstore2https://museituppublishing.com/bookstore2http://sdpbookstore.com/anthologies.htmhttp://www.smashwords.com/books/view/62608

A (Quick) Visit With Tommy Emmanuel

2011-08-28T12:01:00.000-05:00

A (Quick) Visit with Tommy Emmanuel

by Julie S. Dobbins

Tommy Emmanuel has traveled all over world playing 300 concerts a year. His performances, which are full of humor as well as music, are something to be experienced. His list of awards and other accomplishments are too numerous to list here.

Craig and Tommy met in Nashville in 1996. Craig just happened to be in Gruhn Guitars when he noticed a skinny, floppy-haired guy with an Aussie accent. Craig, being the cool guy that he is, said, “Hey! You’re Tommy Emmanuel!” To which Tommy responded, “Hey! You’re Craig Dobbins!” They quickly grabbed the nearest guitars and jammed for about an hour. Their friendship has lasted ever since.

Tommy was kind enough to answer a few questions for me. Since he was on the road (when isn't he?), his answers are brief but say a lot.

Are you still a vegetarian? (Is it difficult to maintain a particular diet while on the road?)

No, I was a vegetarian for ten years and one night, I had a meal in a pub in England and decided to try roast lamb. I was so charged with energy after the meal, I decided to go back to eating meat of all kinds and whatever else I wanted. I still have the occasional veggie meal but play best on steak or pasta. On the road, I don't have large meals - I don't need them. I eat as much as I need and try to keep a balanced diet.

What would you be doing if you weren't a musician?

Pushing up daisies.

With so much traveling, how do you keep your faith alive?

Whether I travel or not, my faith remains the same.

Where do you think you would be if you hadn't met Jesus?

Probably in a confused and lost place. I have a consistent trust that I'm doing what He wants me to do.

Which was more exciting - receiving a CGP or receiving the Member of the Order of Australia?

They were both extremely moving and inspiring awards. Letters after your name come with a responsibility and I hope I will always serve that responsibility to the best of my ability.

Is there anything you still hope to accomplish - either personally or professionally?

The goals are endless and the road is endless. It's out of my hands.

What instruments do you play besides the guitar?

Bass and drums.

Do you have one instrument that expresses your heart the best?

I've always felt that I am the instrument being used in a good way. I noticed that it's not too difficult to brighten someone's day, sometimes just with a smile or a word of encouragement.

What has been your most unusual experience as a musician?

Being voted in the Male Artist of the Year category in the Australian music awards. It was a pleasant shock for an instrumentalist.

What do you think of that Craig Dobbins guy?

Craig is very tall. He has a big heart, he loves people, he loves to play and hand on good knowledge. He has always had my deepest respect. I was his brush player once and the crowd went mild.

Has George Martin made any martinis for you lately?

Not since we toured together. He is retired now, so I have to be content with second rate martinis.

You have a lot of interesting stories to tell. Have you ever thought of writing a book?

I've always thought of writing a book, there's just not enough weeks in the year for me and God won't give me any more.

Visit Tommy Emmanuel 's website.

This interview first appeared on www.craigdobbins.com.

The Wettest Spring by Kim Holdbrooks Townsel

2011-07-31T20:35:00.001-05:00

Kim Townsel currently lives in Sweet Home Alabama. Her fiction and poetry appear in Quality Fiction, Glossolalia, Salome, Hot Valley Writers, The Chick Lit Review, Liquid Imagination, and All Things Girl. She is a 2009 Oscars/Nicholl Semi-finalist and a 2008 Oscars/Nicholl Quarterfinalist. She recently interviewed the fabulous writing team of LEGALLY BLONDE, 10 THINGS I HATE ABOUT YOU, and THE HOUSE BUNNY. Her interviews appear on MovieBytes, DoneDeal, Yankee Pot Roast, and Script magazine.

The Wettest Spring is a departure from your previous non-fiction books. What made you decide to write fiction?

I actually wrote The Wettest Spring back in the 80s when my sons were young. I was on leave from my teaching job to be a stay-at-home mom and decided to try my hand at writing. I wrote for Christian Parenting Today and Virtue magazine. One day, I realized there was no book on the market to help young males journey through puberty, so I decided to write one. My oldest son was facing puberty in a few years and I could find no books to help give him perspectives on what he might experience. In addition, he had many classmates who had various types of home lives that differed from his. I fancied that I could write a story to help him learn information about puberty and expose him to the type of life that others might have. My son had a very high IQ and excellent language skills, so he was a helpful editor! He still is.

In the book, Kurt Maxwell is a young man in the 1980s when kids did not have cell phones and computers that provided all the knowledge in the world at their fingertips. When puberty hits him, he knows nothing except rumors and locker-room tales. To make things worse, his workaholic dad leaves his alcoholic mom. His friend, Sami, has sprouted breasts, colored her hair, and is causing Kurt’s jeans to be too tight. At school, he’s failing Date Math.

Did the writing process for The Wettest Spring differ from writing your other books such as School Skills 101?

Absolutely. I moved five times after I wrote The Wettest Spring and kept shuffling the box. Last year, I opened it and found the old manuscript, typed on a Smith Corona word processor. Since I didn’t have an electronic version, I scanned the pages as OCR files and worked from there to revise it. The revision was quick as I was pleased to see how clean the manuscript was. I found structured notes and mathematical charts about story, character, and plotlines. From winning a writing contest on Writer’s Café, I was awarded a year’s subscription to AutoCrit http://www.autocrit.com and I ran the manuscript through that to help find redundancies.

School Skills 101 was written for me to use with my ninth grade students and my youngest son. I was teaching a Study Skills unit and all of the books that I used with my students were too long and wordy. Finally, I decided to write a school success book for the younger and average student, not the ones worried about AP tests and college placements… just the ones who wanted to decrease the torture of middle and high school academics. My youngest son and I researched tips for School Skills 101 and he picked his top tips.

The cover of the book is a bit “personal”. Please tell us about it.

Isn’t that a great photo? My brother, Scott Holdbrooks, is an award-winning art teacher at Gadsden City High School. He took that photo of his son, Zack, who also has won awards for his artwork. Everyone in my family loves that photo. When I entered The Wettest Spring in the Amazon fiction contest (it placed but did not progress past the first stage), I was offered a free copy. I had to choose a cover, so I asked Scott and Zack if I could use their photo. I actually never intended for The Wettest Spring to be available to the masses, but in order to buy a copy for myself and a friend, that was the simplest and cheapest strategy. It’s out there and we will see if it goes anywhere.

How long did you work on the manuscript?

Gosh, I really can’t remember it taking a long time to write. I recall enjoying the process and not trying to be in a hurry. Obviously, since it moved across the country in a box for years I wasn’t in a hurry to get it published. I have found notes that I sent it to publishers and agents but no one took it. I had an agent for School Skills 101 but all of the publishers who offered contracts wanted me to make the book bigger, add research, and talk more to “smart kids.” I declined because to me the whole point of School Skills 101 is to be for younger kids and kids who do not want, as one of my former students said, “to study to read a study book.”

Currently it is available for Kindle, but will there be a print version?

The Wettest Spring is available as both the Kindle and the print version. Anyone can download the Kindle reader for his or her computer, iPad, or cell phone. Here is the link: Free Kindle reader.

How can people contact you if they have questions about the book?

The best way is to become a fan of the Facebook page for The Wettest Spring. Here is the link: The Wettest Spring FaceBook page

Do you have other projects in progress?

I have written a couple of other novels that I will either rework or try to get published. Also, I write screenplays. Every screenplay that I have written has placed in contests. JET LAG actually was a Semi-Finalist in the prestigious Nicholl, which is conducted by the Academy of Motion Picture Arts and Sciences, which conducts the Oscars. It is an honor to have my name on their webpage. I have a couple of screenplays in progress. LEMONADE is a story of how love can be destructive to save what it can. THE LIGHT MAN is about using children for profit. Both are dark and I’ve been working on them a while. I need to finish them and get those tragic stories out of my head! My mother wants to step on the red carpet someday, so I persevere…

For non-fiction, I am working on Teaching Strategies 101 which will be a practical book for teachers to help with various teaching and learning techniques. Research and supplemental reading will be provided for those who want the “why” behind the “what.”

Finally, as I say, “my doctorate is working on me.” I’m working on my Instructional Leadership doctorate through the University of Alabama, so most of what I write is APA style papers for classes. Fingers crossed, this degree will be completed and dissertation approved by the end of 2013. We’ll see.

Your books can be purchased on Amazon, but where else can they be found?

Amazon has been very good to me. They provide authors with detailed data about buyers and where the buyers live. If an author has time to conduct marketing, the data would help allocate resources. I don’t spend a on penny marketing; all I do is on FaceBook and still have some old sites on MySpace, so it is a miracle that anyone finds the books to buy. However, last September, one buyer bought 627 copies of School Skills 101. That was pretty exciting. Book sales are funny. Many times my Amazon ranking for School Skills 101 is higher than my friends who have toney publishers and professors who wrote my textbooks. My morning report told me that 25 copies of School Skills 101 were sold while I slept in late this morning. It’s nice to finally make money on a project that was fun and interesting to do.

I have several books available: School Skills 101, TEEN 101, Secondary Teaching 101, College Skills 101, and The Wettest Spring. All have FaceBook pages, and all are available on Amazon, Barnes and Noble, Books-a-Million, and some are also available on eCampus, The Book Depository, Tower Books, Amazon UK, and Infibeam, as well as Amazon for Germany, Canada, France, and Japan.

How many books have you written? How many are published?

I have five that are published. One novel needs a publisher. Jet Lag was taken through hours of writers’ groups and UCLA workshops and is ready to go. That book is good and needs to find its soulmate to be published. Heartstrings was written back in the 1980s and would need a major revision before going out to meet the public.

What has been the most interesting or funniest experience you’ve had while writing a book?

One interesting thing was some advice I received while living in Los Angeles. Tom Koranda was in the film industry and I met him in a writing class at UCLA. He asked to read my novel, Jet Lag. The story line wasn’t his thing, but he invited me to an exclusive screenwriting group and suggested that I take the novel and turn it into a screenplay, with the intent of improving the structure of the novel. Honored and humbled to be in a room with such talented writers, I went through the painful but invigorating process of converting a novel to a screenplay. The process did strengthen the rewrite of the novel, but the unintended outcome was that they all loved the screenplay, slinging the word “Oscar” at me, and encouraged me to begin shopping it around. I didn’t feel comfortable selling myself as a screenwriter, but began placing the screenplay for Jet Lag in contests. Meanwhile I moved back to Alabama, and the screenplay began placing in contests and even winning the Acclaim. While many producers, agents, and managers (most interns, I suspect who are looking for a box office hit, which Jet Lag is not) have requested the screenplay, no sale yet. Still, for a country girl from Gadsden, getting that kind of encouragement and exposure is good for the ego.

Who is your favorite author and why.

Janet Fitch wrote my favorite book, White Oleander, but her other works are less pleasing to me. Right now, I’m reading Mary Forsburg Weiland’s autobiography, Fall to Pieces. Either she and/or her ghost writer write very well; it’s beautifully done. When I first read White Oleander, I didn’t want the book to end; I was sad about leaving Astrid’s world. I anticipate the same feeling with Mary’s book. An excellent writer can take the reader into a nightmarish world and make the reader feel engaged. Both of those books have that quality for me.

Any advice for someone who is trying to get published?

Edit, edit, edit. Many times we are so exuberant when we finish a project that we think it is ready to send out to the world, and it usually isn’t. Women after childbirth have a rush of hormones that help them forget the pain of what just happened and focus on the future. However, that newborn is not ready to face the world. He needs guidance, nurturing, and protection. Writing projects are like that. When they are “finished” is actually their birth, and the process of making them “grown” is to take them through the process. I usually finish a draft and then take sections through a writing group, which is time-consuming. Then several editors read for errors in language, continuity, and character development. Then it is revised again. Then the manuscript needs to be read aloud by me. Tape-recording and playing it back for yourself can reveal needed changes. Just as we would never send our babies out into the world to fend for themselves, neither should we send out an immature manuscript.

how to write a book proposal

2011-07-03T20:30:00.000-05:00

Does it really take an entire book to explain how to write a book proposal? Nearly 280 pages later, I have to say, "YES". Not only is How To Write A Book Proposal by Michael Larsen an exceptional tool, it is also enjoyable to read. I have read a few books and articles about the business of writing, and some of them make great sleeping aids. This book contains a wealth of relevant information with plenty of examples so you have no doubt as to the author’s meaning.

The author is literary agent Michael Larsen of the Michael Larsen/Elizabeth Pomada Literary Agency. What started as an article grew into a book which is now in its fourth edition. It has definitely been field tested. Larsen has listened to his readers and revised it accordingly. It also reflects changes in the publishing business. You can find more information as well as updates for the book at the Larsen-Pomada website.

Highly recommended. You don't get information this good without an actual visit with an agent.

I was not paid for this review and received no benefit other than a review copy of the book through the Booksneeze program. My opinions expressed in this review are given honestly and freely. ~Julie

Fabulous After 50: Finding Fulfillment for Tomorrow

2011-06-04T17:36:00.017-05:00

Fabulous After 50
by Shirley Mitchell with Jane Rubietta

Whatever you need to know about being 50-ish, Female, and Fabulous is in this book. A great resource to keep you optimistic and focused as you reach (and pass) the milestone of turning 50. Mitchell and Rubietta are obviously well read and quote from a wide variety of materials to give the most up to date information, as well as, inspiration. The book was first printed in 2000, but was in its third printing by 2004 - a great testimony to its relevance.

In less than 200 pages topics from health, diet and exercise to fashion, hair and skin care, to volunteerism are covered. Just about every aspect of life is discussed. Each of the eleven chapters end with “Questions for Immediate Application”, a list of “Strategies”, and an “Aging Successfully Attitude.” There is plenty of (good) attitude throughout the book, softened by a love for the Lord and spiced with humor. A very honest book and well worth the read.

By the way, I met Shirley Mitchell in April 2011 and I can say that, without a doubt, she follows her own advice. She was very delightful and looked... fabulous! Be sure to visit her website:

Fabulous After 50

Disclaimer: This book was reviewed without the knowledge of the authors and therefore no payment was made to me. Ms. Mitchell and I met at an author event and swapped books as one writer to another. The possibility of a review was not even mentioned.

Lights of Marfa by Doyle Dykes

2011-05-24T18:46:00.002-05:00

What is it like to be a traveling musician? What if the musician is a Christian? Are his challenges any different? The Lights of Marfa by Doyle Dykes gives a bit of insight about what it’s like to be a traveling Christian musician. However, the emphasis is not on Doyle. He is just the instrument through which these stories are told. The book is full of experiences that he has had that can only be explained, as he puts it, as “a God thing.”

Doyle is a humble, but confident man. As he shares the different stories, he is careful to give credit where it is due. In spite of the fact that he as met many renowned guitarists who have influenced his own playing, he has always acknowledged that one man in particular changed the way he plays more than anyone else - Barry the Sailor. Chapter 3 tells how they met, lost contact, and were reunited thirty years later in a very remarkable way.

Other chapters tell about how he shared the stage with Elvis, Chet Atkins, or Duane Eddy. Doyle has played all over the world and shared the love of the Lord as he was able - including in The Cavern Club where The Beatles got their start. The Lights of Marfa is written as though Doyle were talking to you: with plain English and nothing fancy so that the story is emphasized. The Truth and the Lord shine through in this book.

Oh! I almost forgot! There is a DVD included with the book. It has an interview with Doyle, music video, and a behind-the-scenes taping of the song, The Lights of Marfa. Be sure to check out Doyle’s website for more cool stuff:

www.doyledykes.com

What Were You Thinking?

2011-04-30T20:57:00.001-05:00

What Were You Thinking by Howard Wiggins of Hearthstone Interior Design is a fun, informative read. Wiggins lays out the information you need in a soothing “you can do this” kind of way. His writing style is conversational and pleasant. He gives you the tools you need to do the project yourself and he also gives you the tools for hiring a decorator if you decide you need professional help.

One piece of advice that he gives in the book is to decorate one room at at time. Once finished, move on to the next room. I needed to start small, so I decided I would redo my bathroom. Since a picture is worth a thousand words, I have included a “before” and “after” shot of the project.

Here is the sad but true picture of a less-than-inspiring room to start the day:

And after following Wiggins’s advice:

Okay, so maybe that isn’t my bathroom - but it could be! It is, however, a bathroom that was decorated by Hearthstone Interior Design.

I highly recommend this book. Even if you don’t want to redecorate your home, the information contained within its pages will give you the guidance you need to turn a room you like into a room you love.

Be sure to visit www.howardwigginsinteriordesign.com to read his many and timely articles.

Children's CD Has Calming Effect!

2011-03-06T20:38:00.001-06:00

Mar 06, 2011 – Tired of children’s CDs with annoying electronic “music” that make your child hyper? Melissa and the Green Blanket actually has a calming effect on children. “We were very surprised by this benefit of the CD,” says Dobbins, author of the story. “We thought we were putting out a children’s CD with a sweet story about a little girl and her blanket. Then we started getting emails and reviews about it’s calming effect on children.” To listen to a sample, go to http://www.juliebooks.weebly.com

"Bella LOVES Melissa and the Green Blanket! She was screaming and as soon as it started, she suddenly got quiet and sat there mesmerized! Thank you so much!"
~ H. Blackmon, Happy Mom and Librarian

A multimedia package in a CD case, it contains a 24-page booklet and an enhanced CD. The disc features the author reading the story accompanied by gentle guitar music. A QuickTime movie to watch on a computer, the "Melissa" theme song and a bonus track, "Appalachian Lullaby", round out the package. The disc also contains PDF files of the guitar music for the musically inclined.

“Not only does my 16 month old daughter love the music on Melissa and the Green Blanket, but my rambunctious 8 year old son calms down in the car when I put in the CD. He loves to read the story from the booklet as he listens. I have even found myself humming along to the music. Melissa and the Green Blanket has made road trips much more enjoyable for all of us!”
~ T.C. Wade, Relieved Mom and English Professor

"The music, provided by Julie’s husband Craig, is soft and calming. There are two additional tracks of Craig’s music included on the CD that will help lull your child to sleep after you’re done reading."
~ Children's and Teens Book Connection

Melissa and the Green Blanket is the result of the creative efforts of author Julie S. Dobbins, guitarist Craig Dobbins, artist David Moon, and film editor/project consultant Bennett Dobbins.

If you are ready for a more calming story time while making a positive change in your child’s musical diet, then purchase your copy at http://www.craigdobbins.com/Melissa.html

Spring Rain by Gayle Roper

2011-02-23T21:23:00.001-06:00

Reconciliation. Love. Forgiveness. Each of these threads are woven through every person’s life and each person has a unique way of dealing with them. Spring Rain opens a window on how gritty issues can play out in real life. Ironically, it is an easy read as well. I read the book because the Inspiration Book Club at the Gadsden Public Library was going to be reading it in a couple of months. My friend Dee Roper, who leads the group, was having difficulty finding discussion questions. She asked me to read it and write a few, so I've included them below. I hope you find the questions useful - and I hope you enjoy the book as much as I did. I couldn’t put it down!

Highly recommended. Spring Rain is Book 1 in the Seaside Seasons series (say that three times fast!)

Obligatory notice that reviewers are obliged to post: I was not paid by anyone to do this review and, in fact, as of this writing neither the author nor her publisher are aware that I have done so.

Discussion Questions for Spring Rain

1. Julia felt God tap her on the shoulder and say, “Help her.” Have you ever had a similar experience?

2. Leigh was more disturbed by Ted’s double life than by his homosexuality. Why do you think she put the emphasis on honesty?

3. Who was Clay really angry with: Ted or God?

4. Ted wasn’t like his parents, but Leigh did not turn out like her father. Why do you think they were so different from the environments in which they were raised?

5. Leigh had a treasure, but she didn’t know about it because no one had told her. What do you think of when you hear the word “treasure”?

6. Does Leigh’s lack of knowledge about her treasure compare to people who don’t know about the gospel?

7. A major theme of Spring Rain is reconciliation. Which character’s reconciliation meant the most to you?

8. Ernie (Worm) was appalled at the way the Wharton’s took care of Ted. What was your reaction to how the family took care of him, and did your feelings change by the end of the book?

9. The Wharton’s lives were so different from Ernie’s that he was affected by what he observed when he spied on them. What do you think would be the affect on someone who observed you when you didn’t know it?

A Grief Observed by C.S. Lewis

2011-01-30T15:36:00.001-06:00

A Grief Observed is a very raw and honest chronicle of what Lewis experienced after he lost his wife, Joy Davidman Lewis. He asks questions that many ask whether they are Christian or grieving or neither. Where is God? What kind of God is he really? The book was originally published in 1961 under the pseudonym N. W. Clerk because he did not want to be associated with it, but was later persuaded by his friends to use his real name.

Lewis wrote as a way to keep from falling apart completely. Finding some empty notebooks at home, he jotted down his thoughts and ponderings. The book is therefore broken into four chapters, one for each notebook. When he started the fourth notebook, Lewis wrote, “This is the fourth - and the last - empty MS book I can find in the house.... I resolve to let this limit my jottings. I will not start buying books for the purpose.” Each chapter is written in a series of short paragraphs. It can be read straight through or a paragraph at a time - whichever way allows for the reader to best consider what Lewis is expressing.

By the end of the book, Lewis has not lost his faith but has found it strengthened and expanded. God is not cruel, but indeed loving. He doesn’t abandon us but sometimes we have to kick and scream and exhaust ourselves before we let Him get close to us.

The introduction by Madeleine L’Engle doesn’t add anything to the book. Mostly she talked about how different was her own experience when her husband died to that of Lewis’s when he lost his wife. A Grief Observed didn’t do much for her although she did find some points in the book on which to comment.

A Grief Observed is an excellent book for pondering the deeper questions yet doing so in an accessible way. There are no pretensions, just honesty. Highly recommended.

Beyond Opinion by Ravi Zacharias

2010-12-16T20:17:00.000-06:00

How would you respond to the comment “atheism is a liberator”?

Does Christianity really hold up to scrutiny?

Beyond Opinion is a book of apologetics that begins with six different essays addressing current challenges to Christianity: Postmodernism, Atheism, Youth, Islam, Eastern Religions, and Science. Each essay is written by a person who is knowledgeable on the subject because of their own experience. Challenges from Youth is written by a young person; Challenges from Islam is written by a former Muslim.

The book continues by Addressing the Questions Behind the Questions. It examines the possible reasons for a person’s doubts regarding Christianity and how to respond. This section includes Evil and Suffering as well as Cross Cultural Challenges, to name only two.

The next section provides further edification for the Christian with essays covering the Trinity, Spiritual Transformation, and Hearts on Pilgrimage. The last two essays in the book cover Living the Answers and Apologetics for Today.

The tone of the book is one of understanding and sympathizing with a person who has questions. It presents the arguments without being argumentative. Definitely not a book to be read lightly as though it were “6 Easy Steps for Defending the Faith”. However, it is a good book that takes a realistic view of Christianity as it is perceived today and equips the reader with a better understanding of his surroundings and how to relate to those with questions.

Disclosure of Material Connection: I received this book free from the publisher through the BookSneeze.com <http://BookSneeze.com> book review bloggers program. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255 <http://www.access.gpo.gov/nara/cfr/waisidx_03/16cfr255_03.html> : “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”

The Legend of the Black Lake

2010-11-13T11:12:00.001-06:00

The Legend of the Black Lake

Written by Tania Maria Rodrigues-Peters

Illustrations by Felipe Campos

Translated from Brazilian Portuguese to English by Paula Vaz-Carreiro

Published by Ceditora, hardcover

Katharina is a beautiful and kind young woman who lives “approximately a very, very long time ago” in Austria. Every day she walks by the crystalline and magical lake near her home and tells it all about her dreams and fears. One day at the lake, Katharina meets a young man named Paul. Paul is as black as night while Katharina is very, very white. What will happen when her parents meet Paul? Why does the lake turn black?

The Legend of the Black Lake exposes the pain that prejudice causes. In a direct but gentle manner, it shows what happens when someone is rejected simply for the color of their skin.

Tania’s writing style is enthusiastic and playful. The story is told through an old man talking to a young child, so it is childlike in nature.

Although the artwork is in black and white, a blend of techniques and textures are used which accentuate the playfulness of Tania’s storytelling. The cover art uses warm and inviting red, brown, and green water colors.

Author, illustrator, and translator biographies are included in the back of the book as well as information about the real Black Lake. Since Tania is an accomplished cook, there is a recipe for the authentic Austrian dish that is mentioned in the story: Kasknopfle.

An enjoyable read that gives the opportunity to discuss with children about people who are different from them.

(The reviewer received no payment from anyone for this review.)

Melissa and the Green Blanket Review

2010-10-22T20:28:00.001-05:00

Melissa and the Green Blanket Written and Told by Julie S. Dobbins

Melissa has a green blanket that is soft with satin edges. She doesn’t remember a time when she didn’t have this green blanket, and that blanket is special because she can hide underneath it and become invisible. But one day, green blanket is missing, and poor Melissa looks all over for it. With the help of Mom, Melissa is reunited with her green blanket and rejoices.
Before I get into my review, I want to share why I requested this audio book and how it personally touched me. Our youngest daughter, Sarah, is six. She, too, has a green blanket with satin edges that was given to me before she was born. She also likes to hide underneath her green blanket–though it doesn’t cover up as much of her body as it used to–and disappear. Green blanket got tucked into her bag today to make the short trek to school, so that Sarah can have him (yes, it’s a boy) for rest time. And every night, “Greenie” goes up to bed with Sarah; she folds the special corner of her blanket into a certain way–I still haven’t learned how to fold it right–and she snuggles with him. I couldn’t help but think of Sarah as I read this book, and I can’t wait to share it with her.
Okay, weepy mommy moments aside, Melissa and the Green Blanket is an adorable audio book written and told by Julie S. Dobbins. It is a contemporary retelling of the Biblical story of the woman with ten silver coins who has lost one and searches high and low for it until she finds it, which comes from Luke 15:8-10. Though the Bibilical significance might be lost on some children, there is no escaping that this is a truly wonderful story, especially for bedtime. The music, provided by Julie’s husband Craig, is soft and calming. There are two additional tracks of Craig’s music included on the CD that will help lull your child to sleep after you’re done reading.
Also included is a 24-page picture book that is illustrated by David Moon. Again, my mind wandered back to Sarah as I followed along with the book and the audio. Just like Sarah, Melissa has a cat that is seen in many of the illustrations. Just the other day Sarah wrapped the cat up in “Greenie”.
Your young child will adore Melissa and the Green Blanket. So will you!
Available at http://www.craigdobbins.com/Melissa.html, Amazon, CDBaby, iTunes, and CCNow.
Rating: 5 smilies!

Children’s and Teens Book Connection
1.11.10

http://childrensandteensbookconnection.wordpress.com/?s=melissa+and+the+green+blanket&submit=Search

Gadsden Public Library: 100 Years of Service

2010-10-09T15:06:00.002-05:00

This is actually the review of a website for the book. The book is about the history of the library - which sounds rather boring, just to be honest. However, libraries have more going on than people realize - in the case of this one there have been celebrities, ghosts, and civil rights demonstrations.

The website has some interesting features. On the homepage there is a link to Google books so that you can view the first 30 pages or so. There is also a blog that is attempting to collect the library's current history, particularly it's media content (Youtube, Vimeo, and Ustream). My personal favorite is the Ustream video because it contains a video of a reading by Peter S. Beagle. Two hours of pure delight!

Check it all out at: www.gadsdenlibrary.weebly.com

New Website!

2010-09-25T19:46:00.000-05:00

I'm very excited about the new website that I just finished for MELISSA AND THE GREEN BLANKET. I will continue to add information and reviews as they happen, but for right now I'm very pleased with the end result. Take a look and let me know what you think about it. Thanks!

www.juliebooks.weebly.com

A Visit With Stephen Bennett

2010-08-07T15:50:00.003-05:00

A Visit with Stephen Bennett

by Julie S. Dobbins

Stephen Bennett is a guitarist who can play equally well on instruments as diverse as a 1930 National Steel, a standard 6-string, and a harp guitar. He has traveled the United States, Canada, Europe, Australia, and Japan winning the hearts of listeners everywhere he goes. Stephen is the founder of The Harp Guitar Gathering that converges on Williamsburg, Virginia each October. The Harp Guitar Gathering attracts players, scholars, and luthiers from all over the world. However, my main reason for interviewing Stephen had little to do with his accomplishments. Although I enjoy his playing, I especially like his sense of humor!

When did you decide to become a professional musician (or did it just sneak up on you)?

My career as a professional boxer wasn't going so well and since I did a little guitar playing on the side, I figured heck, why not give it a try?
Seriously, back in 1981, I was out shopping for a guitar one Saturday and was invited to teach at two of the music stores I stopped at. I took that as a sign of some sort and through a combination of teaching lots of lessons and playing in various musical settings in Southeastern Virginia, one day it dawned on me that I was in fact a professional musician. Everything after that has just been variations on the theme.

Although you went through a physically difficult time in 2008, you seem to have been in a very creative time as well. What has been your inspiration?
Although I did in fact go through a rough patch last year - which by the way, turned out very, very well once I got my kidney transplant - yes, I did manage to accomplish some musical tasks. Early on, I got into the studio and recorded some new harp guitar tunes - most of a CD actually - because I wanted to get them in the bank, so to speak, before my operations began. (My kidneys were removed in March, I was on dialysis for a couple of months and then had the transplant in May.) It’s a good thing I did so, because at this point I have largely forgotten the tunes and will have to relearn them at some point.
Additionally, I worked out transcriptions of many of my tunes, a slow and laborious task, but one which needs to be done. I will be offering three new compilations of transcriptions in January, if not earlier. Two of these are for harp guitar and one for six string guitar.
Also, I spent a good deal of time working on an orchestral arrangement of “Powhatan Suite.” This was released on my music from Tsenacommacah CD in 2003 and featured music inspired by reading about the early interactions between the native Virginians (the Powhatans) and the English settlers who showed up here in 1607. The conductor of the Virginia Symphony has expressed interest in the work and who knows - maybe something will come of it. If I don’t wind up with a live orchestra performing it, I will record it digitally with a software library of samples from the Vienna Philharmonic. They use this for movie scores, so it’s quite good.

Your CD, Alert the Authorities, takes an unusual turn. After recording several (19, to be almost exact) instrumental CDs, what made you decide to do vocals?
I figured the guitar thing just wasn't’t working so well, so why not try singing? Actually, people have have been after me for some years to do this. Misguided people yes, but still....
I am happy to report that nobody has died as a direct result of this CD.

“What a Wonderful World” is one of my favorites.
Thank you very much. You need to get out more....

Were there any particular challenges to recording vocals as opposed to instruments?
I’m not a very good singer. But the machines they have these days can fix that right up. Actually, there is no pitch correction at all on this CD.

Is there a project that you have particularly enjoyed doing?
I have a love/hate relationship with recording. It stresses me out, but I am always pleased when it’s over and after some time passes and the music still stands on its own.
I suppose the Nutcracker Suite for guitar orchestra that I did nearly 20 years ago would be one that I particularly enjoyed doing.

Was there any sibling rivalry while recording with your brother?
No, once I made it clear that I was in charge and he had to do exactly what I wanted him to, everything was fine.

What do you think of that Craig Dobbins guy?
Who?
Oh right, Craig Dobbins. Craig is a great guy and I am happy to call him my friend. That’s not what he calls me, but still....
What I like about Craig’s playing is that it is rock solid dependable and tasty. He’s not particularly flashy, but everything is right there nonetheless. Craig is a joy to play with and I greatly enjoy the Beatles sets we have done - and hopefully will continue to do at CAAS with Joscho Stefan.

How did you get started performing at the Chet Atkins Appreciation Society convention?
I did a workshop with Duck Baker in Charlottesville, Virginia in probably 1995 and he told me I should go to CAAS sometime. Apparently he spoke to the convention president, Mark Pritcher, about me because Mark invited me to perform at the 1997 CAAS convention.

It’s good to see that you'll be back in 2009, by the way.
LOOKING FORWARD TO IT!

You are strongly associated with the harp guitar, but is that your main instrument?
I don’t consider harp guitar my main instrument, no. My show consists of standard guitar, slide guitar and the harp guitar. I think I have something to say which nobody else is saying on all three of those varieties of guitar. In other words, I don't think anyone plays a 6-string quite like I do, or slide, or harp guitar either.
However, I will grant that because it is so visually distinct, not to mention sonically so, that perhaps I am most publicly connected with the harp guitar.

Hmm... Looks like an opening for shameless promotion of the Harp Guitar Gathering....
Ah yes, The Harp Guitar Gathering... this is a convention for harp guitarists, builders and enthusiasts which has gone on for six consecutive years now. The seventh is scheduled for Williamsburg, Virginia next Halloween weekend 2009.

You do a great deal of traveling and performing, but you also have a significant amount of recordings and materials. Do you have a preference between live performances and recording?
I love them both when they are going well and hate them both when they are not. There is nothing like the joy of a well played and received show. There is also nothing like hearing from people that they continue to enjoy a CD of your music for years on end. I have heard of people entering and leaving this world while listening to my music, and everything in between.

You have traveled to Europe, Japan, and Canada as well as across the United States. How have your instruments managed to survive the airlines?
Dumb luck, I suppose. They have sometimes been lost, cracked and occasionally, worse, but they always show up eventually.

Musicians always have interesting tales to tell and I have enjoyed the ones you have told in your concerts. Do you have one that is your favorite?
In 2004 I was playing at a guitar festival in Australia, near Melbourne. Good Morning Australia (or it’s equivalent on another channel there) sent their weatherman down to do a story on the festival and report the national weather for the day from there. I was featured and had my harp guitar and so Grant - the weatherman - asked me a few questions about it and then asked me to play something. I launched into a a version of “What A Wonderful World.”
After a bit, the screen switched to a map of Australia and Grant started reading the day’s weather over my playing. He paused for a bit and I jumped in, saying “That’s not the lyrics!” He looked surprised, then chuckled and went on with his task. He got to another pause and I jumped in again saying, “That’s not the lyrics - sing the weather!”
Remember, this is live on national television and spontaneous. I don’t know if I had maybe had two beers on my wheaties that morning instead of one, but whatever - Grant could have been really mad at me. However, what he did was to sing the rest of the weather report to the melody of “What a Wonderful World” - and in a Bill Murray bad lounge singer kind of way. It was hilarious. They inset the anchors of the show up in the corner of the screen - laughing hysterically at the sight of their weatherman singing the day’s weather. Apparently they asked him to do it again the next day. He was a really good sport!

Were you named after the Dobbins' son, Bennett Dobbins?
This is the most interesting story actually. No, I wasn't named after Bennett Dobbins originally. I only changed my name to his after he was born. Before that I went by the name Bob Finkelstein.

Actually, I have been asked if we named Bennett after you. When I told them he was named after his father they looked rather confused. I hope I didn't start any rumors.

Mum’s the word, Julie.

Visit Stephen Bennett's website.

This interview first appeared at www.craigdobbins.com

For Film Score Lovers

2010-07-31T10:21:00.001-05:00

Film scores are definitely a niche. However, if you enjoy movie music then please check out Bennett's Film and Music Reviews. Bennett does an excellent job of explaining what is on the CD in addition to expressing his opinion of it. He gives background information on the movie and/or the composer, often placing the score in context of the composer's career. An enjoyable and informative read!

(Outland is just one of the many scores Bennett has reviewed, giving it a 4 out of 5 rating.)

Silver Leaves Release Announcement

2010-07-15T20:40:00.000-05:00

Tolkien-based journal, “Silver Leaves” Issue 3 is now available. The theme is Tolkien and other high fantasy artwork. We are very excited about getting this beautiful publication into folks’ hands. With contributors including Ted Nasmith, Jef Murray, Virginia Lee, Brian Sibley, Tom Shippey, Tim Kirk , Colleen Doran, David Wyatt, John Dickenson, along with many others, it could be considered a collectible. Ordering information is at www.whitetreefund.org.

I Got an Award!!

2010-06-26T11:37:00.001-05:00

I would like to thank Susanne Drazic (Putting Words Down On Paper) for giving my blog the Awesomous Maximus Award. Awards are especially nice when you don't expect them. I know you want to see it, so here it is:

In honor of the occasion, I would like to pass this award to a few other worthy writers:

Bennett Dobbins

Tabitha Carlson Wade

A Certain Young Lady

Just click on their names to check out their blogs. I hope you enjoy them as much as I do!

The Sacred Journey by Charles Foster

2010-06-08T17:57:00.004-05:00

With a sense of joy in the writing, Charles Foster explores the tradition of pilgrimage. Based on his own experiences as well as the experience of others, the book is full of humour, honesty, and openness. There is much to be lost on a pilgrimage, but much more will be gained.

Foster traces the history of the practice of pilgrimage, while also comparing and contrasting Jesus’s day to ours. He quotes from a wide variety of sources, both Christian and non-Christian, as well as those who don’t agree with him. While challenging, it was not confrontational. Reading the book made me think even though I didn’t always agree with the author. Even when I disagreed, I felt like I could enjoy a conversation with the author where we explored ideas without argument. We could share a cup of coffee, or tea, or a dipper from a dirty cistern on the side of the road and come away all the better for the experience. He made a pilgrimage relevant and worthwhile. I recommend this book to anyone who needs a refreshing view of life.

The Sacred Journey is the last book in a series called The Ancient Practices.

Disclosure of Material Connection: I received this book free from Thomas Nelson Publishers as part of their BookSneeze.com <http://BookSneeze.com> book review bloggers program. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255 <http://www.access.gpo.gov/nara/cfr/waisidx_03/16cfr255_03.html> : “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”

A Visit with Mark Casstevens

2010-03-21T12:00:00.006-05:00

As a multi-instrumentalist specializing in acoustic guitar, Mark Casstevens has accompanied over 250 recording artists in Nashville studio sessions. He has been featured in articles in Guitar Player, Acoustic Guitar, Fingerstyle Guitar, People, Musician, Frets, and Mix magazines. Mark’s playing also stands well on its own, as demonstrated on his exceptional CD of original fingerstyle guitar instrumentals, Acoustic Inventions. Pleasant and easy-going, he recently took the time to answer a few questions for Craig’s website.

Why did you decide to become a studio musician?
Tape recorders and recorded music have always held a fascination for me . . . People have tried unsuccessfully to explain the physics involved in digital recording -- which I find no less mysterious than how musical notes go into a mic then onto tape then onto record grooves and magically back through speakers . . . truly one of the greatest inventions of all time. In looking back, it seems I was playing with tape recorders and listening to albums and picking out the different instruments when stereo came along. The great folk scare of the 60's came along and I traded the piano for a banjo and a guitar . . . in time I was learning parts from the Peter, Paul and Mary records.
In the late 1960's I began reading the backs of lps when the idea of listing personnel came into fashion. My next door neighbor (Ft. Worth, Texas) called me over to meet a duo who had just recorded an album in Nashville for Columbia Records. There was the opportunity to talk with someone who recorded with the players whose work I knew. Since most of my musical education came from playing along with albums, it was only natural to wonder if my career path could ever include being a studio player. When I stepped into Columbia studios in Nashville on a visit, I saw firsthand these specialized players who went from studio to studio and got to go home and sleep in their own beds. It was a very appealing notion to get paid for doing your hobby so a goal was set.

Is there anything about your job that you would change?
The job itself changes constantly since a free lance player is always involved in different projects with different players.

Do you have any formal music training? Piano lessons age six to about twelve. I quit because of the anxiety of playing recitals. I didn't like the idea of having to perform something perfectly . . . so I decided to become a studio musician. Go figure.

My husband has a Bachelors Degree in Secondary Education, so of course he’s a musician. Do you have a college degree?
I have a BA in English from the University of Texas at Austin. Somewhere in the attic there is a diploma. I have dreams of opening up a little English Shoppe in the mall . . . for a fee I will compare and contrast Hawthorne and Melville.

Chet Atkins was once asked what advice he would give to anyone who wanted to become a professional guitarist. His response was to marry a woman with a good job. What advice would you give to someone who wants to become a studio musician? Chet's other advice was to "save your old neckties" . . . they would eventually come back into fashion . . . Sadly, I would tell someone who wants to become a studio musician to find a time machine and go back to when it was a viable career. I just got lucky in my timing. The complexion and economic structure of the commercial music business in all three recording centers does not resemble what it was forty years ago. There is so much less recording activity today at all levels as labels have merged and artist rosters have been cut. Digital recording and attendant downloading and home studios all play into the change. When I moved to Nashville there were countless studios recording song demos, master sessions, jingles, etc. The talent pool was very deep and studios were constantly booked three or four sessions a day . . . The Nashville Network launched a satellite and there was lots of programming involving studio musicians. A player could work into sessions and supplement studio income by working at Opryland theme park, touring with a recording artist, playing clubs, etc. The park is gone, the Nashville Network is no more, an artist is off the label if they don't bring big numbers in sales -- odds are not in favor of a player coming to Nashville, at least, to build a long solid career as a studio musician. It would take tremendous perseverance and an unusually gifted player to distinguish himself/herself in this climate. I would hope that the person seeking my advice is such a person and that he/she might be half as lucky as I have been. It has been a dream job -- one of the main benefits of studio work is having instant gratification hearing your playing in state of the art studios with the finest other musicians in the world.

Do you have any special musical influences besides Chet and Jerry?
Yes, all across the board -- in no particular order -- George Gershwin, barbershop, Jobim, Gilberto, bossa nova, Laurindo Almeida, Al Jarreau, Gilbert & Sullivan, James Taylor, Samuel Barber, Ry Cooder, Rogers and Hammerstein, Randy Newman, Pavorotti, Joshua Bell, Scott Joplin, Toots Thielmann, Dave Grusin, Dr. John, Leonard Bernstein, Flatt & Scruggs, Stravinsky, Bach, Mike Snider -- anything that has that obvious spark of artistry and originality.

What do you think of that Craig Dobbins guy?
He's too tall. But one of those musicians you instantly like. It comes through in his playing. I'm glad he didn't come to Nashville and shove me out on the streets. When I first saw his Jerry Reed transcriptions it was like I had discovered a kindred spirit and one with enough gumption to put it on paper. I remember sending him some stupid correction of sixteenth note # 3,457 of "Stump Water"-- and felt bad about being such a ninny for quite a while after that. He had captured the spirit and intent of Reed's clawing where I was focused on the minutia. (I can't tell you how many times others have shown me how I learned Reed tunes wrong.) But Craig forgave my picking of the nits and I am always entertained when I see or hear him play.

If you had not moved to Nashville, what do you think you would be doing?
Most likely something to do with music . . . or perhaps it would just be a lifelong hobby. Maybe a woodworker . . . my father passed that on to me and getting involved in building something is a wonderful place. I might have gone back to school to become a teacher of something . . . maybe art.

Who has had the most personal influence in your life?
Couldn't pick one person . . . it has been a process and from my parents, teachers, friends. I have never been held back -- always encouraged. I could not have integrated into the Nashville music scene without a positive sense of self instilled by all my influences . . . the creative community here in Nashville has always been energizing and challenging and humbling. Actually many of my closer friends are not musicians -- their wit and intelligence has been valuable. One never stops learning -- be it how to play music better or how to behave and how to view the world. And laugh.

Your album, Acoustic Inventions, is beautifully done. What was it like for you to record you own CD and have complete artistic control?
Thanks. I am pretty sick of the album, but for the most part was satisfied with the results.
I spent my life in recording studios -- so some of it came together fairly quickly. Playing solo instrumental things had been a closet enterprise for about 33 years -- people kept pestering me to do more than rough cassettes of my tunes, so I gave in. We call them vanity albums in Nashville.
It dawned on me that I should at the very least document where I was, musically, in 2004 for my grandchildren to hear someday. One never knows when they might befall them in this day and age. Having played in the background all my career, I decided to get decent versions of my compositions down . . . more than declaring myself some guitar soloist . . . I rarely perform live. Complete artistic control turns out to be a double edged sword . . . your ideas aren't overridden when they are less than great . . . I played the roughs for a friend who pointed out that one song was too long -- should be two songs . . . so "Swing Low Sweet Chariot" was taken off the front of "Underground Railroad" and made a separate piece . . . probably needed more outside advice . . . but you throw your darts and hopefully a high percentage hit the target. Playing most of the instruments is both narcissistic and economical.....mostly it was a throwback to the early years and experimenting with tape recorders. There are many things at which I cringe when hearing the CD -- I needed to hire a string arranger. I needed someone to tell me what to leave out and when it sounds too thought out. The irony of my record is that I have spent my life in rhythm sections where everyone contributes their own part -- but most of my CD was premeditated . . . with malice aforethought.

Will there be more CDs?
Doubtful but who knows? I have four new pieces that sound like music. Quick, tell me the name of the last major instrumental hit? See . . .

Is there anyone you wish could have joined you on this project?
Yes, I regret not doing this while Chet was with us. I can hear his touch on Del Vecchio on "Coming Home" -- I no doubt would have hired a string arranger to score it. But I was too immersed in studio work and too short sighted to recognize the opportunity when it was there.

Claire and Tracy are your daughters, but who is Katrin?
My mother is Kathryn but the name came from a Katrin Eismann who is a Photoshop expert. I needed a name that was ethnic but not familiar or connotative of something else and went through many before looking up on the shelf and seeing her name on the spine of a Photo retouching book. I do not know the woman but did email her that I used her name. So far, no lawsuits.

Katrin’s Dream is a wonderful mix of moods. What is the story behind it?
Funny you should ask since the last two pieces on the CD were ones I sometimes think should have not been included. A year or so before I did the CD, I was called in to be the point man on an Andy Griffith Christmas album. Andy had two spoken word pieces that needed underscores so I wrote music timed out and tailored to fit his reading of this story he has wanted to do for years -- "Barnaby the Juggler"-- (I also adapted "Coming Home" as an underscore for the title cut "The Christmas Guest") . . . to make a long story short, both of my pieces were recorded with strings and woodwinds, then shelved. Andy wanted more of a Prokofiev "Peter and the Wolf" treatment we eventually deduced. So my Barnaby underscore was re recorded for my project. The opening theme is a variation of a folk song Leon Bibb recorded in the 60's "I Know Where I'm Going" -- the guitar part on the record was one I finally found a place to use after 38 years! The moods in the piece reflect what was going on in Andy's story . . . To fit what my recording might theoretically underscore, I later wrote an alternate children's story line that described a little generic European girl (Katrin) who falls asleep and has this dream. No green blankets in this particular story.

I noticed that Tracy Casstevens did the graphic design for your CD. What was it like to work with your daughter on a project?
Both of my daughters are artistically inclined. Claire (high school senior) just won a national gold key in the Scholastic Art & Writing competition -- presentation at Carnegie Hall, work will be installed in a DC gallery. . . . Tracy also has her work featured in professional graphics journals -- her degree in Studio Art is from Indiana University and she did a two year program in Atlanta at The Creative Circus . . . she works for a graphic design firm in Las Vegas at the present and was so helpful in the artwork and concept. She was in North Carolina and did everything pretty much long distance when the CD was assembled. The back of a Brazilian rosewood guitar was photographed for the booklet background, she took some chord number charts from the album sessions and worked them into the mix --(formulas for the inventions?) and did all the rest. I doubt we were the first to use a guitar soundhole graphic for the CD tray -- I have certainly seen several on albums that have been released since then. Tracy has a great eye and has received continued kudos from top graphic professionals and I would imagine she might break off on her own in a possible venture specializing in custom wedding graphic design work. The invitation she conceived for her own wedding last October was this thin box that turns into a bird cage with the thematic bluebird holding the invitation scroll, etc. You get the idea . . . my girls are amazing. The tune "Tracy" on the CD, by the way, was written in 1978 when she was born.

I have often heard that spouses shouldn’t work on a project together, but Craig and I have enjoyed the times we have worked together.
My wife Esther took the photo on the back . . .

Is there anything you have always wanted to say in an interview, but have never been asked?
It is embarrassing to wax on about yourself . . . Chet did say, however, that he found nothing quite as interesting as someone's life story . . . John McClellan came to my house to do an extensive interview for another Chet book and after a while I started to weary hearing me talk about myself . . . in terms of music I am but a minor player who has had the good fortune to rub shoulders with those who cast much longer shadows . . . a very much blessed person who was at the right place at the right time. Granted, my work ethic is intense, but luck has definitely been with me all of my life.
Copyright © 2008 by Julie S. Dobbins.
Visit Mark Casstevens' website.

www.craigdobbins.com

Originally posted on craigdobbins.com in 2008 and in 2009 was reprinted in Mister Guitar: Journal of the Chet Atkins Appreciation Society.

The National Writing for Children Center

2010-03-09T21:27:00.007-06:00
Karen Cioffi reviewed Melissa and the Green Blanket! I really appreciate her kind comments and want to share them with you:

Melissa and the Green Blanket review

Check out the rest of the website while you're there - they have a lot of great children's books and reviews!

Mozart in the Future

2010-02-20T16:52:00.008-06:00
Mozart in the Future by Tania Maria Rodriques-Peters is a fun book to read. The story begins in present day with a young man named Max. Although very talented, Max is also just a kid who needs to play like any other kid. However, his mother keeps insisting that he practice the piano more. She loves her son, she is proud of his talent and wants him to be the best he can be on the piano. Unfortunately, all the practicing takes a toll on Max and he becomes sick. His doctor prescribes complete rest. While resting, Max has an unusual experience. Thanks to a beautiful woman, The Spirit of Music, Mozart comes to visit! Mozart is the same age as Max and the two boys enjoy earch other's company as they do all sorts of things together. However, Mozart eventually wants to go home - and they have no idea how to get him there. That is when the real adventure begins! Tania's passion for the subject was very obvious as I read the book. Facts about Mozart are woven into the story in such a way that it makes learning natural and enjoyable. I didn't feel like I was "studying" about Mozart, instead I was having fun reading about two boys from two different time periods getting to know each other. Imagine Mozart seeing a television, MP3 player or cell phone for the first time. Sledding, riding the bus, or trying Sachertorte are all new experiences for Mozart. Mozart in the Future is told in its own unique style of story telling. There is a timeline of the author’s life instead of the typical bio. The story of the Sachertorte is included in the back and is accompanied with a recipe so that you can try your own. The delightful illustrations by Pedro Caraca are simple, yet enhance the telling of the story.

You may get your own copy of Mozart in the Future by going to www.rodrigues-peters.com. It is available in the author’s native language, Portugese, as well as German, Spanish, and English. This review is based on a review copy provided by Carston Peters of Rodrigues-Peters in exchange for review. All reviews are my own opinion and without guarantee of either like or dislike.

Spending Time With William L. Yancey

2010-01-23T12:29:00.009-06:00

William L. Yancey has published his first novel, Peacekeeper. It is an exciting story full of plot twists that is an ambitious first attempt - especially for a 17 year old. William does an excellent job and has created a fun book to read.

His website is www.peacekeepernovel.com where you can find out more about William, purchase copies of the book, or contact him for book signings and interviews.

An impressive and mature young man, he graciously agreed to be interviewed.

Your bio says you have a fascination for sword play. What is your experience with sword play?

I have been reading about different styles of swordplay on random sites I visit and books I pick up for awhile now, but most of my experience with swordplay comes from fencing lessons, which I participated in for about a year and a half at the Birmingham Fencing Club.

Has any particular author or book been an influence on your writing?

The only thing that has really been an influence would be how Christopher Paolini's success with Eragon at such a young age inspired me to strive further towards publishing this novel. When it comes to actually influencing the content of my writing, I'd say the fantasy genre as a whole deserves the credit.

I heard a rumor that you are currently working on another book. Can you share a little bit about it?

I am currently working on a prequel to Peacekeeper. The prequel covers the history of Garet, who plays the role of the main protagonist. It takes place roughly thirty years before the start of Peacekeeper, Garet being nineteen at the time. The novel will also touch a little more on the history of the Alexandrian Mythos and Derek Doulunge the 1st, Henry's grandfather.

What are your plans for the future?

I plan to attend college, although what I plan to major in isn't set in stone. It will most likely involve English or Literature. I do plan to continue to write and produce novels. Once I finish the series I'm working on I plan to start a seven book series, along with several other novels. I know without a doubt I will visit or move to Japan, possibly pursuing a career there teaching English.

How does the finished story of Peacekeeper compare to what it was like when you started? Did the story change very much?

I wasn't exactly sure were I was going to go with the novel at first, but after I had finished writing about half, I had a majority, if not all, of the novel planned out. There were some events taken out during the editing, and a little bit of the story altered to make the novel either more interesting or coherent, but the overall plot remained the same throughout the process.

Do you write every day?

I do find myself working on some project nearly every day, whether it be a project for school, my prequel, some short stories, or for creative writing contests. Writing is a passion for me and without a doubt the best way for me to express my thoughts and imagination.

The symbols (catalysts) are intriguing. What was the inspiration for their design?

The design of the catalysts stems from a variety inspirations. The catalyst of life has more of a tribal inspiration. The catalyst of peace has an oriental inspiration. The inspiration for the catalyst of power came from the symbol on the power button of many electronic devices such as computers. The catalyst of destruction was inspired by the red hourglass on a black widow spider, and the catalyst of death was a product of my boredom and desire to design a catalyst.

Which character in Peacekeeper is most like you?

Although the character isn't necessarily based on me, I'd have to say Garet shares the most of my personality, which would probably explain why he ended up being one of my favorite characters.

What has been the most exciting part of publishing your book?

Well, it was really entertaining to come up with ideas for the cover, but the best part of the publication process was when it was over, and I was capable of holding every bit of my effort in my hand as a finished product. It gave me an overwhelming feeling of accomplishment.

Do you have a favorite scene in your book?

My favorite scene would probably be the final conflict at the end. I won't go into detail for fear of ruining anything for those who have yet to read it, but to me it was most exciting.

What was the most difficult part of writing Peacekeeper?

I would have to say the most difficult challenge I faced while writing Peacekeeper was forcing myself to write through some of the less exciting scenes, which ended up consuming a lot of my time. Another challenge I faced was deciding the ending.

Are any of your characters based on people you know?

In this novel the characters are mainly just a product of my imagination. Although, some little traits here and there may be based loosely on people around me.

Where can your book be purchased?

As of right now the book can be purchased online at Peacekeepernovel.com and at Mr. G's in Glencoe.

Do you have any book signings scheduled?

I am currently in the process of scheduling book signings in neighboring counties.

We Never Talk About My Brother

2010-01-16T20:28:00.008-06:00

We Never Talk About My Brother by Peter S. Beagle is a great addition to any library, public or private. This collection has a range of settings and themes which showcase Peter’s unlimited skill. The stories travel from Europe to Japan to the Bronx. They happen in the ancient long ago or, possibly, just last week. Peter is more than a writer, he is a storyteller - he can take you anywhere to any time and you’ll believe you’ve been there.

The story for which the book is named,We Never Talk About My Brother, is my favorite. Two brothers have an unequal share in an unusual inheritance that is more powerful than money. Not only did the ending give me a chuckle, but it left me hoping for a sequel. The other stories are just as intriguing:

In Uncle Chaim, Aunt Rifke and the Angel, a mysterious angel appears to an artist and demands to be his only model.

In Spook, an apartment has a ghost that can’t be exorcised, but can be dueled.

By Moonlight tells of a minister who is trying to find his way back to his one true love, the queen of the faeries.

An old sailor woman relives her challenging - and revealing - encounter with a mythical sea creature in Chandail.

There are ten stories in the collection and they all share a common thread of great love and the need to belong . . . somewhere. As Beagle is fond of saying, “Kids go through a phase where they swear they have the wrong parents. I never doubted I had the right parents . . . I just wondered what planet we were from.”

The cover of the book is equally appealing in warm amber tones graced by a single angel’s wing. Even with it’s simplicity, it belies that something is amiss as a man’s hand reaches from behind the wing to grasp its outer edge.

The same is true of Beagle’s stories. They start out normal enough, but you soon discover that something doesn’t quite follow the normal expected patterns. That would be predictable, and these stories are anything but predictable - even to a seasoned Peter Beagle fan. That is part of the fun of reading these stories: what will be the unusual twist? Even when I guess part of it, there is still a clever turn that I never expected.

“Even when I’m quite serious, I’ve always tried to phrase things humorously,” said Beagle when discussing his work. Humor, as well as an underlying wisdom, is sprinkled throughout his stories. I feel like I have gained something even if I don’t know what it is or even if I don’t agree with it. We Never Talk About My Brother is a very satisfying read.

*

Publisher: Tachyon www.tachyonpublications.com

Manager: Connor Cochran, connor@conlanpress.com

Mr. Beagle can be contacted through his manager.

A Visit With Rick Foster

2009-12-23T20:39:00.008-06:00

"At the debut of the Contemporary Christian Music scene Rick Foster was in the forefront as a solo classical guitarist playing an entirely sacred repertoire. He was the first to play a full concert of sacred music on the classical guitar and the first to arrange and record an album of sacred music for solo guitar. That album, Hymns for Classic Guitar, was a milestone in guitar recordings. Fingerstyle guitarists around the world appreciated being able to obtain arrangements of some of their favorite hymns and sacred music, which up to this time were unavailable.
Rick's skillfully crafted music has drawn a Dove Award nomination from the Gospel Music Association for Gospel Instrumentalist of the the Year and he has appeared as a guest of the 3 Angels Broadcasting Network. Many readers of Fingerstyle Guitar Magazine have enjoyed his columns regarding various aspects of performing and arranging sacred music for the guitar . . ."
So begins Rick Foster’s impressive biography. In spite of his accomplishments, Rick is a very humble man and I highly recommend visiting his website to learn more about him and the materials he has available. For those of you who are Chet Atkins fans, you will probably enjoy the pages that are accessible through the Chet and Rick button. There are photos, reminisces, and some letters that Chet wrote to Rick over the years.
Rick is also an accomplished gardener, which is barely mentioned on his website. He combined his love for both the guitar and gardening on the DVD At Home With The Guitar. The following questions were inspired by the wonderful blend of Rick’s guitar playing and awesome garden.

How does having a garden affect your touring schedule?
The garden and yard take up most of my time. There are 45 fruit trees plus lots of berries, grapes, and summer and winter vegetables. During the 20 years that we toured, our concerts were always scheduled for the winter months since we couldn’t leave here much in the summer or everything would dry up and get smothered by weeds. During the concert season I’d come home and spend every spare minute between practice sessions pruning fruit trees, grapes, etc., and just trying to stay afloat, so to speak. The schedule was very demanding and I often envied Segovia, who arranged his life to center around music instead of farm work. Luckily, I realized that I didn’t have the talent of a Segovia, Parkening, Willliams or Atkins and had better not put all of my eggs into one basket. The garden has enabled us to live a good life without having to get a job to buy food. We lived for years as a family of 4 spending less than $1,000 per year on food. We grow 90% of our fruits and vegetables, make our own bread, and keep our spending down.

With all of the gardening that you do, is there anything special you do to protect your hands?
I always wear gloves while working. My right hand suffers greatly from the farm work. Just this week we took down a dozen big trees and my entire week has been spent with a chain saw and splitting maul. The wood had to be cut, split, stacked, and then all the brush and branches drug to the burn pile. All of this doesn’t seem to bother my left hand, but leaves my right hand so stiff that playing well is out of the question. Even as I write my right hand keeps getting numb and I have to stop and shake some blood into it in order to get all these questions answered. At times I’m tempted to complain, but deep down I’m thankful for the wood, the great food, the beautiful Oregon valley were we live, and the opportunity to share my music with others -- especially other guitar players.

I was amazed with the variety of fruits and vegetables shown in your video “At Home With the Guitar.” Is there anything you don’t grow?
We don’t grow grains, seeds, nuts, legumes, butter, oil, salt, and a few other odds and ends that we eat regularly, but we do grow apples, pears, cherries, plums, figs , persimmons, peaches, blueberries, gooseberries, raspberries, grapes, and many other fruits and vegetables.

Have you always been vegetarian?
I was raised eating meat 3 times a day, but when I began having health problems in my early twenties I gave up milk and most meat and became mostly vegetarian. My wife is almost completely vegan, but she will eat steelhead and salmon when I’m lucky enough to catch one. Our friends give us elk meat, but she won’t touch it, which just goes to show that she’s not perfect.

What do you think of that Craig Dobbins guy?
The two things I remember most about meeting Craig at the Atkins Convention in 2005 is that my neck got sore from looking up (he must be 7 feet tall) and that he’s a major talent with beautiful tone and a great feel for the music. He also seemed like a nice man.
(Note: Craig is actually 6’7” so a lot of people “look up” to him. Personally, I think he’s a nice man, too - most of the time.)

When did you become a Christian?
I was baptized at the age of 6 at a Baptist church in Lancaster, Texas, and believe that God has had his hand on me ever since. I often wonder why He inspired me to be both a guitar player and gardener, since my guitar playing seems to suffer due to the gardening. I’m constantly amazed at how He has used my small allotment of talent to create a large body of sacred music for solo guitar. I’m also very thankful for all of my fellow players like Craig who have given me ideas for great arrangements.

Do you have a favorite arrangement of your own?
Not really. A great deal of care and work goes into each arrangement and I love each one like a close friend. In fact, I sometimes think that my guitars and arrangements are my best friends other than my close to perfect wife, who may be the only true friend I’ve ever had.

Have you always been a Christian musician?
The first song I learned was Cash’s “I Walk the Line” which was followed by sixties rock tunes. When I was 16 my Mom gave me 2 LP’s for my birthday - one by Chet and the other by Segovia. The Chet album, “Chet Atkins Plays Back Home Hymns,” opened my eyes to the possibility of playing hymns on guitar, and marked the beginning of my journey as a Christian musician. I still love Elvis, Bob Dylan and a lot of the late 50’s and 60’s rock tunes that I taught for years after beginning to teach at Ontario Music in California at the age of 18. As I got older and started thinking about the meaning of the music that I played, “You Ain’t Nothin’ But A Hound Dog” didn’t seem to speak to me as much as songs like “Amazing Grace.” I believe that the music I’m playing today is inspired by the Lord. Most of the classical music that I learned as a guitar major in college has lost my interest, but I love the sacred music more all the time. There’s nothing I’d rather do than grab a guitar, go out on the deck overlooking our garden, and practice for a few uninterrupted hours.

Have you ever gone through a period of time when you didn’t enjoy playing your guitar?
I’ve never gone through a time when I didn’t enjoy the guitar, but after months of non-stop 5-hour practice days preparing for and going on concert tours, a couple of days off were always nice. During the concert years I often became so exhausted that I could barely play, but after a few days off my mind would clear and I’d be chomping at the bit to get back to it. A lot of my practicing was done from the passenger side of our van as my wife drove to the next church. It was very demanding both physically and mentally, but in those days I still had lots of energy. Now that I am an old man in my early sixties, I have to be careful not to over load myself.

Do you have any instruments that are particularly special to you?
My favorite all time guitar is an old Ramirez that Leona Atkins gave me after Chet died. That guitar inspired me to get back to playing and was featured on my "Rick Foster’s Remembrance of Chet Atkins" album. It’s also being used on a new album of hymns that’s about 3/4 finished which will feature a couple of Craig Dobbins arrangements.
(As of August of 2008, Rick anticipated finishing his new CD sometime in 2009. Check his website from time to time for the release date.)
Copyright © 2008 by Julie S. Dobbins.
Visit Rick Foster's website.
Romans 8:38, 39 (one of Rick's favorite Bible passages)

This article first appeared on www.craigdobbins.com 10/16/08.

Melissa and the Green Blanket Review & Interview

2009-12-16T18:38:00.003-06:00
IT'S UP!!! Penny Ehrenkranz (pictured, left) did a loverly review of Melissa and the Green Blanket. You can read her review - and interview with yours truly - on her blog, One Writer's Journey.

http://pennylockwoodehrenkranz.blogspot.com

She also has some other great articles that you may enjoy.

My Turn to be Reviewed & Interviewed!

2009-12-13T18:20:00.007-06:00

My children's CD, Melissa and the Green Blanket, will be reviewed on Penny Ehrenkranz's blog December 16th. She has also interviewed me, so that will be posted on December 18th. The link to her blog, One Writer's Journey, is below.

Thanks, Penny, it was fun!

http://pennylockwoodehrenkranz.blogspot.com/

A Visit With Guy Van Duser

2009-11-20T16:01:00.007-06:00

To some guitarists, Guy Van Duser is known only as “that guy who arranged Stars and Stripes Forever for Chet,” but he is much more than that- a respected stylist, arranger, artist, and educator. One of Guy's career highlights was in 1986, when he and clarinetist Billy Novick "subbed" for the Boston Pops Orchestra (playing Stars and Stripes Forever, of course) at their annual Fouth of July concert. (The Pops had a little gig to play at the unveiling of the refurbished Statue of Liberty in New York.)
Guy's distinctive guitar playing (accompanied by Billy Novick) is regularly heard on This Old House and Antiques Roadshow. To those who have had the privilege of hearing him in concert, he also is known for his enjoyable sense of humor. Guy graciously agreed to let me interview him and give a broader perspective of his talents.

Mr. Van Duzle, sir, did you ever consider any other career?
Guitar is my love, of course, but my careers have actually been in commercial art and in elementary school teaching. I have been working for Disney's World of English for the last eighteen years as a sound editor and sound effects technician, and now have just begun an association with Berklee College as a Professor of Music. My guitar playing has at least kept me sane through the years, though.

You and clarinetist Billy Novick have been playing together since 1976. How did the two of you get started performing together?
Billy and I met at a modern dance concert in 1975, where we each had written a live performance piece for the choreographers. We hit it off right away, but Billy was playing in three other bands at that time, so he was too busy to follow up on our first meeting. About six months later one of his bands broke up, and Billy called to see if I was still around, and we started rehearsing for our first gig, an afternoon radio show broadcast live from Club Passim in Cambridge, MA. We've been playing together steadily ever since.

Chet turned down several offers from Garrison Keillor to play on A Prairie Home Companion - until he found out what it was all about. Then he seemed to really enjoy it. What was your experience with playing on that show?
Billy and I did the PHC show a half dozen times in the 1980's, which was fun at first, but eventually became very high pressured as Garrison became more and more famous. We knew Garrison Keillor very early on, though, when he was doing his daily morning show in Minneapolis. He wrote the liner notes for my second Rounder Records LP with Billy (long out of print and unavailable). Incidentally, the story of Chet going on PHC hinges around me a bit; Chet phoned me one afternoon and asked me if I could get him onto the show, as his road manager George Lunn had tried unsuccessfully to get him through to Garrison's agents. I told Garrison this, and he invited me out to lunch and interviewed me for about two hours on everything I could tell him about Chet, after which Chet was invited to come on a broadcast. So I feel like I contributed a little to Garrison and Chet's friendship. Who knows?

I have read that your first instrument was actually an accordion. You still have your first guitar, but what was the fate of your first accordion?
I have heard from my Dad, who says that accordion was traded in for my first guitar. Actually, my first instrument was the piano. My mother was trained at Eastman School of music for the concert stage, but my own piano lessons (when I was five) didn't 'take'. The accordion didn't work out, partly because I didn't really love it, and partly because the family cocker spaniel didn't really love it either (he would howl incessantly whenever I practiced). Later, when my Dad took up the guitar so there was one in the house, my passion for the instrument began. But I played with a pick for the first three years, as I didn't know about Chet at that time.

Do you ever modify your guitars?
Yeah, once in a while. I refinished my dot neck 335 after I had played it in my high school rock band until it was pretty beat up; having no idea of course that I was destroying its value as far as today's collectors are concerned.

Craig still has his first guitar and sometimes thinks about having it restored because he “modified” it a few times.
But who knew back then that vintage guitars would become more valuable as time went on? Now I wish I had it (the 335) back! I don't fool with the electronics in my guitars very much; I find guitars that I like the sound of to start with and that's pretty much it.

You did a beautiful job on the artwork for the cover of John Knowles’ album, Sittin’ Back Pickin’. What was the technique that you used?
John was very nervous about telling me that he had reupholstered that sofa, after I put all that work into his cover portrait. That's good old Higgins India ink and an old-fashioned pen nib. But the original is considerably larger than album size, to allow for all that intricate cross hatch work on the sofa. I always did like detail work. That goes for practicing guitar, too, of course.

Do you still do artwork?
When I have time, which is not very often. The kind of art I enjoy doing is pretty labor-intensive. I think the last thing I drew seriously was the portrait of Chet that appeared on the CAAS program back in 2001 after Chet's passing.

Tell me about the educational programs that you and Nikki Hu have been doing.
We work regularly in different elementary schools in Massachusetts and New England, teaching entire classes or grades of children to learn choreography and give performances in their schools for peers, and often for the community at large. I provide original music, written and performed on live instruments and synthesizers and Nikki designs the movements and stages the dances. Our pieces are built around folk tales or school curriculum (a grade studying insects or Egypt can become involved in creating dance movements that help internalize the subject matter). Our work is essentially non-verbal, so we offer an opportunity for children to excel outside of their spoken language classroom situations. We've been at this for twenty-five years, and we love it.

Have there been any particularly memorable moments working with children?
Oh, too many to even begin to tell about. One of our biggest accomplishments, I think, was taking fifty American school children on a ten day field trip to Hiroshima, Japan, to present Nikki's "Dance of a Thousand Cranes" at the 50th commemoration of the dropping of the first atomic bomb on that city, by invitation of their Mayor. It was an honor and a thrill to help American children bring the gift of their good will to the Japanese!

You told me about the program where the kids brought their pets on stage - one of which was an incontinent pony, I think.
It was actually an incontinent baby goat, but the results were not dissimilar! The principal of the elementary school, no less, was on hand with the paper towels . . .

What do you think of that Craig Dobbins guy?
He's okay, really. His guitar transcriptions are accurate, at least the ones I've seen, and that's a big plus in my book. I hear he plays pretty well, too, although it's hard to catch him at it, at least around CAAS.

Is there any special reason why there is no guyvanduser.com?
Well, I don't seem to get around to it. I don't have much to sell at the moment, really, nor do I tour, so there's not much schedule to announce. But I should try to get one up sometime soon. You can always go to www.billynovick.com and find out what we're up to as a duo, and I guess I pretty much rely on that.

What is the story behind “Poor Jack?”
"Poor Jack Studios", my writing studio for Disney, was named after our German shepherd/husky, whom I put outside one day while I was doing live sound effects recording (no soundproofing back then) and then forgot, becoming engrossed in my deadline, until I suddenly realized that it had begun to pour rain and he was out there sitting in it, waiting to come in. The bedraggled soul who greeted me reproachfully when I opened the door was a heartbreaker . . . so I named the studio "Poor Jack" to ease my conscience. He did look great on the logo with a reel of recording tape in his mouth!

Is it true that you like the movie “High Noon” with Gary Cooper?
Love it; seen it at least twenty times. Dimitri Tiomkin's score for the picture is my favorite soundtrack of all time!

Of all the CDs that you have recorded, do you have one project that is your favorite?
Not really . . . "Stride Guitar" was the most difficult project for me to record, I think. All of the arrangements on that record were part of my stage show at one time or another, but I always made mistakes while performing them, because they were so darn hard. Going into the studio meant really getting them right for the record, so it's probably the most intense practicing I've ever done. I can still play some of the arrangements, and I've met other players who value them enough to learn how to play them, which is always very gratifying to me.

How about a chicken joke?
Hmmn . . . I promised my producer that I would quit telling chicken jokes, but maybe he won't read this: So, why did the chicken cross the road? Because it was too long to go around. (That's an original, as you might have guessed . . . )

Are you tired of these questions yet?
Umm . . . yup!

Copyright © 2008 by Julie S. Dobbins.
This interview was first posted on www.craigdobbins.com 6/18/08.

My Husband, the Fingerstyle Guitarist: A Wife's Perspective

2009-10-30T10:41:00.005-05:00
For most professions, people have certain expectations. With a doctor, they think of a hospital. With a lawyer, they think of a courtroom. With a teacher, they think of a classroom. With a musician. . . well. . . . As a musician, my husband is not normal. At least, he's not what people normally expect. People expect an unkempt appearance. My husband is very clean cut, even to the point of often being mistaken for a preacher. People expect a musician to be irresponsible. My husband is very responsible. He is so responsible that he has been known to take responsibility for things that he's not even responsible for. People expect a musician to play in bars all night and sleep all day. My husband is in bed by 10 pm, up by 7 am, and has never played in a bar (unless you count the salad bar at our brother-in-law's restaurant, and boy was he angry!). People expect a musician to be temperamental or, rather, to have an "artistic temperament". Well, there they may have something. Whenever we travel, it is expected that I will drive. My husband is a good driver, so far as I can remember. It's just that he has more. . . interesting things to do: proof read music, read an instruction manual, or point out pot holes. Also, inspiration can come at unusual times. For instance, I was awakened by my husband (once) at 2 am. He had just recorded a new song and he wanted me to hear it - right then. Fortunately (for me) we went through the kitchen to get to the studio, so I grabbed the rolling pin - I like to be prepared. Fortunately (for him), I didn't need it because it was truly a great song. The only other "temperamentality" he has is about his hands or, more specifically, his fingernails. Since he's a fingerstyle guitarist, his nails are his tools. Special vitamins, 600 grit sandpaper, and avoiding any activity that could break a fingernail are all just part of the everyday routine at our house. If there's a chance he could damage a fingernail, I get the job: opening Coke cans, washing dishes by hand, taking out the garbage. . . you know, I've never really figured out the risk in taking out the garbage. Even with all its peculiarities, I wouldn't want my husband to change professions. There is a certain charm to every room being decorated with a piece of musical equipment, or regularly finding thumb picks in the dryer. Whenever I am missing a piece of my hosiery, I know just where to look: it's being used as a microphone screen in his studio. Also, I like the fact that my family never has figured out just what it is that my husband does for a living. Besides, if he ever makes me angry (which he rarely ever does), I have one very effective plan of action: I can threaten to break one of his fingernails. Copyright © 2005 by Julie S. Dobbins

Confession of An Almost Screamer

2009-09-29T15:39:00.010-05:00

I was too young for Beatlemania, but somewhere in my adult life I became intrigued with George Harrison. My knowledge of him was limited to old film footage, but I thought he would be an interesting person to talk to. Unfortunately, all the old film clips had instilled in me a certain fear: if I ever did meet George Harrison I would scream. I am not normally given to such fits, but I was sure I had been programmed. You see a Beatle -- you scream. It's that simple. Of course, I never got the chance to meet Mr. Harrison, but I have met other people of renown. I am pleased to say that I never even came close to screaming -- until. Until the day I met Peter S. Beagle. I fancy myself a writer but I had never met a professional writer. I had no idea that I had a weakness about meeting someone of his reputation. One reason it took me by surprise was because we had been corresponding over a period of a few months before we had an opportunity to meet. I felt like I had known him for years. When my family and I were going to be at a convention that he would also be attending, we arranged to meet. My son and I were sitting in the lobby when it happened. (Note: If you're going to make a fool of yourself, don't do it in front of your 12 year old son.) Peter walked up to introduce himself, but he got only as far as "Julie" when I did it. I screamed. Actually, it wasn't quite a scream but more of a squeal. Before I knew what I was doing I had exclaimed "PETER!!" and lunged at him to give him a hug. He was prepared to shake hands. I switched gears to shake hands just as he switched to a hug. We eventually got it figured out and had a delightful visit. However, my son was certain that, after my display, Mr. Beagle would never speak to us again. Unfortunately, that one experience confirmed my worst fear: if I ever had met George Harrison- I would have screamed.

A Visit With Darrell Toney

2009-08-15T20:37:00.005-05:00

Your CD, Jerry Reed - Revisited, has been very well received. I read

on one website that you played with Jerry and that you’re a

“Jerry-clone.” What was your relationship with Jerry Reed?

I didn’t know Jerry very well but remember in great detail the times I got to be around him. He was very charismatic, funny and of course an amazing talent! He was and still is my musical hero!

I’m glad that people have enjoyed the Jerry Reed…Revisited CD…it was a labor of love and a dream come true for me. When I finally decided I was going to do it, I determined that it would have to be first class in every way or I wouldn’t do it at all.

First, I contacted some great Nashville session players like Brent Mason, Dave Hungate, Terry McMillan, Eddie Bayers, Buddy Greene, Hoot Hester and Buddy Hyatt. What a band! Dave Hungate told me during that first tracking session that they were all Jerry Reed alumni. There was an “energy” in those sessions that the players brought with them. After all, many of them were on Jerry’s original recordings! My buddy Rodney Ingle co-produced it with me and we really put the hours in on it!

I was never actually part of Jerry’s band, but I did get to pick with him on a number of occasions. In December of 1978, I was in Nashville recording an album. Randy Goodrum, who was one of Chet Atkins’ A-Team at the time, was playing keyboards on the session. He told me that Jerry was recording all that week, so the next day he brought me over to Young’Un Sound (Chip Young’s studio) and I got to sit-in on Jerry’s session. Man, I couldn’t believe that I was actually there! That was the first time I got to pick with him. I remember asking him to show me how he played a couple of things, but I was so nervous that I didn’t remember a thing he showed me! There were several other times when Buddy Greene and I played some original tunes for him and a time or two when we were just pickin’ on the bus between shows. Of course they’re all memorable to me!

When people say I’m a Jerry clone, it’s a high complement, but Jerry was one of a kind. Nobody plays Jerry better than Jerry! I am happy though that Jerry’s tunes have been transcribed by Craig and John Knowles because it’s important that we keep Jerry’s great guitar catalog alive; what an amazing body of work!

Brent Mason is a good friend of yours, how did that friendship develop?

I first met Brent back in 1985. Buddy Greene and I had gone to lunch at a restaurant in Nashville and Brent came in. Buddy and Brent had just worked together on Buddy’s first solo LP and Buddy introduced me. I would run into Brent at The Nashville Network or the Opry House from time to time but we really didn’t become friends until we did the Reed tribute project together. We were both Jerry Reed fanatics and that was our common ground early on. We’ve done other sessions together and I always look forward to working with him because he not only has monstrous guitar chops, but he’s also very down to earth.

Of course Brent Mason is one of the strongest (if not the strongest force) behind the Jerry Reed style. Richard Smith put it well when he said; “Jerry Reed is still being heard on the current records today because of Brent Mason”! Brent amazes me because he plays “every” style of music like it’s his specialty. I told him one time that he must have found a music steroid! He may very well be the greatest guitar player on the planet!

How did you get hooked on Jerry Reed?

I was about 12 years old. My Dad heard Jerry on the radio and it just knocked him out! He kept telling me about Jerry and said he was real soulful and just a fantastic guitar player! One night Jerry was on television and Dad called me in to watch him; I was instantly hooked! I’d never seen or heard anything like Reed. What he was doing just didn’t seem possible and yet there he was performing live on TV!

Well I saved up my money and bought everything that was already released and patiently waited for the next LP. Fortunately, back in those days RCA put a new release out about every six months, which meant that I only had to wait a few months before I had my hands on some new Jerry Reed music. I remember the anticipation of opening that album and putting the needle down on that first song. I was never disappointed; it knocked me out every time. I was talking with Thom Bresh a few months ago and he told me that he experienced that same excitement after getting a new Reed LP! I guess most Jerry Reed fans felt that way, I know Craig did!

My Dad bought the “Georgia Sunshine” album (on 8-track) while we were on a vacation in the Smoky Mountains. To this day our entire family still associates that LP with such fond memories of that trip. My Dad loved his music and I recall my Mom commenting on the fact that Jerry’s music, lyrically, was so positive. She loved the beautiful ballads while dad and I loved to hear him tear it up! I guess his music had something for everybody. It was country, bluesy, jazzy, and funky with some pop, bluegrass and gospel flavor thrown in. What’s amazing is that it was seamless. Somehow Jerry made it all work. Of course he always credited Chet Atkins for keeping him on track and motivating him to constantly create something new. I read one time that Jerry said that Chet “worked him to death” but Chet knew what he was doing. They were a great team!

Being the Reed enthusiast that you are, have you been in search of a

Baldwin guitar like Jerry used to play?

I’ve been in search of a Baldwin guitar like Jerry’s since Harry Warner (Jerry’s former manager) told me that’s what he played. This was around 1977. I finally found one on ebay about a year ago and the added bonus was that it still had the Baldwin Prismatone pickup (which was the Reed sound). Paul Yandell was able to get the pickup breathing again for me and Mark Piper restored the guitar. It’s a honey!

Paul said, "Well now that you have a Prismatone, they’ll start falling out of the sky!" Well less than a year later, Sam Kennedy down in Houston, TX has recreated the Prismatone. It looks and sounds identical to the original! I put one on my new Clawmaster built by Mel McCullough.

What's a Clawmaster?

Mel McCullough (up in Jamestown, IN) started making a replica of Jerry Reed’s famous chopped cutaway. I always thought that guitar was the coolest and I always dreamed of having one. Mel was able to basically re-create the guitar so all of us Reed fans could have one like Jerry’s. I have 2 of them, one I keep in open G tuning and the other in standard tuning. Now that the Sam Kennedy Prismatone II has become available, it’s an amazing re-creation!

Having been a member of the Gospel group, The Renaissance, and

working for the Billy Graham Association, you only listen to Southern

Gospel music - right?

Of course! Well not really. I love most styles of music. I cut my teeth on Southern Gospel Music. My dad (along with 3 of my uncles) formed the original Toney Brothers Quartet in 1955 shortly after my Uncle Alden left the Blackwood Brothers. The Toney Brothers, of course, were my biggest influence growing up.

Having southern roots, our family also enjoyed Country and Bluegrass. When my Dad was in the Navy, his home port was the Brooklyn Navy Yard. He was assigned to The U.S.S. Antietam which was being retro-fitted at the time to be the first carrier with canted (slanted) deck.

During his time in New York, he was exposed to a lot of Pop music of the 50s (The Ames Brothers, Sinatra, The Mills Brothers, Perry Como, etc.). He loved those beautiful melodies and lush string and horn arrangements, so we were exposed to that as well. But it was through Jerry’s music that I was drawn into R&B, Jazz and Blues. When I was a teenager I was also influenced by Michael McDonald, Kenny Loggins, Natalie Cole, Toto, George Benson and many other pop acts of the era.

Our group (The Renaissance) was formed in 1973 and was fairly contemporary for the time, following in the footsteps of the Imperials. The group consisted of my sister Debbie, my cousin Greg and myself. It was a wonderful opportunity to not only sing, but to spread the “good news” of the Gospel around the world.

Less than a year after we formed the group, we recorded an album at Pinebrook Studios in Alexandria, IN, which was owned and operated by Bill Gaither. Bill liked what he heard and called a friend of his at the Zondervan Corporation. My Dad was managing us and quickly negotiated a recording contract with the company. We recorded 8 projects with them and the exposure from radio and television soon brought us coast to coast doing concerts in churches, auditoriums and college campuses.

The record contract made it possible for us to go to Nashville and begin recording there. That’s when I met Randy Goodrum, Kenny Malone, Reggie Young, Larrie London (among others). It was such a thrill to meet these wonderful musicians. When I began writing, I found that you couldn’t get in to see anyone on Music Row without a reference. Randy is the one that really helped me get in to see publishers and producers in the Nashville music community. I always appreciated that. He remains a good friend to this day. If you want to hear the soundtrack of the 70’s and 80's, go to www.randygoodrum.com, you won’t believe it!

Are the lyrics to the The Renaissance songs available anywhere?

Yes, some of them are out there on the Internet. We recently re-released some of the old LPs on CD and are making them available on the website www.renaissancegospel.com. It’s amazing after all these years to hear from people that followed our group and want the old records on CD. We tried our best to make the music that would stand the test of time, but we knew the message contained in those LPs would definitely endure because it was the Gospel of the Lord Jesus Christ! Jesus said, “I am the same yesterday, today and tomorrow”. I’m grateful for that!

How many songs have you written?

I guess I’ve written about 100. I have some friends that write 100 songs in a year, but those are the guys that live and breathe writing. I only write when I’m inspired.

There are rumors that you have traveled and performed with The Booth

Brothers. How did that come about?

Yes! The Booth Brothers (Ronnie and Michael Booth and Jim Brady) are great buddies of mine. I go out on the road with them from time to time. It’s a dream to perform with them because those boys can flat sing! Ronnie and Michael’s Dad, Ron Booth, Sr. sang with my dad in the Toney Brothers during the 1960's. Our families go back at least three generations. They are the real deal and believe what they sing about. I’m proud of them because they are one of the top groups in all of Southern Gospel Music and stand firm in their faith using their music to proclaim the Gospel (literally world wide). I was in Manila a few years ago and flipped on the TV and there were the Booth Brothers singing the great Andréa Crouch song “Through It All” If you have an opportunity to see them in concert, don’t miss out…they’re terrific! Tell ’em I sent you! (www.boothbrothers.com)

Do you do any concerts of your own?

I do concerts now and then but I’m working mostly in the studio producing and recording. I love it!

What do you think of that Craig Dobbins guy?

Are you kidding? Craig is so talented! It’s amazing how he takes these complicated guitar instrumentals and transcribes them. I remember the first time I heard of Craig, I was in a music store in Nashville and saw the book “The Guitar Style Of Jerry Reed”. I grabbed that thing and started leafing through it. I knew that book was going home with me! I learned some great Reed techniques from it (thanks Craig)!

Craig is not only a wonderful teacher, he’s also an excellent guitarist. Whenever I have a question about a Reed or a Chet tune, I call Craig! A couple of years ago Brent Mason asked me about the tuning on Reed’s “Tupelo Mississippi Flash”. I told him, “I don’t know, but I know who does!” I called Craig…he knew! I have really appreciated his friendship these last few years.

In most of the pictures I have seen of you with an instrument, you

are holding an acoustic guitar. Do you play anything else?

Yes I play electric as well. I have a Tele, Strat, Les Paul and a couple of basses. I’m pretty comfortable in the studio with those but I recall Mark Casstevens talking about how much finesse it takes to really burn up an electric guitar. He’s right! I much prefer the gut string. All I ever wanted to do on guitar was play like Reed anyway.

I also played trumpet during my school years. It was fun when I was sitting in a horn section, but when I was practicing by myself it was drudgery. In high school, I quit playing it and turned all my attention to guitar. Guitar never seemed like work, it was pure enjoyment!

Since you are a vocalist as well as a guitarist, will you be

releasing a CD of Reed’s songs (as opposed to instrumentals)?

I’d like to do a follow-up CD of Jerry’s tunes. I would probably do some vocals as well as instrumentals. I know I won’t be hurting for material because Jerry’s catalog is so deep!

Any word of advice for someone entering the music business?

I guess every performer is asked this question, probably because it’s a good one. I guess it’s important to have something to fall back on. The majority of people that pursue music as a full time career wind up with the short end of the stick.

Back in 1986, Buddy Greene, Ric McClure and I were on Jerry’s bus up at Twitty City in Hendersonville, TN. Jerry was encouraging me to keep pickin’. Then he got a real serious look on his face and said, “Son, my advice for you is to go up to Kentucky and buy a lottery ticket. At least then you’ll have another equal chance of hitting it big”! Buddy and Ric busted out laughing and said, "Now there’s some real encouragement!" With a twinkle in his eye Jerry laughed and said, “Now son, I just said that to get your attention. The truth is, when I came to Nashville, all you had to be was good, son! You got an opportunity. It’s different today; you have to have the right manager, financial backer, the right attorney, etc. I feel sorry for the kids coming up today”.

It’s OK to pursue your dreams, but get an education and have a good back-up plan. Most people wind up using that back-up plan. When you’re in the music business, after every gig…you’re unemployed!

You’ve been in the music business a long time in a variety of

ways. What all have you done?

Well I mentioned The Renaissance, we were together for 14 years. It was a great time in my life. I’ve written songs, played sessions (both as a vocalist and a guitarist), produced, engineered, the work can be very rewarding!

What has been the high point of your career so far? (Besides meeting Craig Dobbins, of course.)

I can’t say there was one high point; there have been many. Doing the Jerry Reed tribute CD certainly was one. I got to know some great guys like Paul Yandell, Thom Bresh, Brent Mason, Dave Hungate, Richard Smith…Craig Dobbins. They’re all so good that playing around them can only make you better! It really stretched me as a player.

The years I was blessed to sing Gospel music are the most precious to me because that’s Kingdom work, it’s eternal.

What is your college degree in?

I graduated from The University of Michigan where I studied business and history. I moved to Nashville shortly after graduating to continue pursuing music.

How useful has Calculus really been to your career?

Man, that was way over my head!! I was just happy that I passed. Calculus was part of the requirement for a business degree, but it hasn’t done a thing for me as a guitarist!!! I know John Knowles is a math whiz but he’s a genius anyway! When it comes to math, I’m a great singer!

What has been the biggest challenge for you in the music business?

Not compromising my convictions. When I gave my life to Christ, I meant it! The musical ability I posses is a gift from God and I always want to honor Him with it!

Tell me about Terry McMillan, I know you guys were close.

Terry was a great friend of mine, he was a gentle giant! We first met at a Reed show in 1975. I was about 16 and Terry was about 20. I would run into him here and there over the next 20 years, but we got really close after doing the Reed tribute CD. He enjoyed that project so much; he loved Jerry. After those

sessions I guess we talked about every week. He was living up in Pigeon Forge and would go back and forth to Nashville to do sessions. Whenever I was up in the Smokies, I’d stop by and see him. I always loved that time together because we’d get to jam. Man he had soul!

His death was tragic because he was still so young. It’s always tough to lose a good friend! We had been talking about doing an instructional video (much like the Hot Licks series). He was really excited about it! He told me while we were planning that video that he actually played the harmonica upside down. I told him, “No Terry, I think everybody else plays the harmonica upside down!"

He was truly a gifted musician. He gave Chet and Jerry the credit for helping him achieve his potential. They were always pushing him and he took the challenge and kept getting better throughout his life. That’s what the true greats do. When Terry passed it was a great personal loss for me and the industry lost another phenomenal talent. Brent Mason told me, “There will never be another Terry McMillan!" I know that he knew Christ and was prepared to go. I know I’ll see him again…that’s a comfort!

You are currently working on producing a project on your sister Debbie. Tell me about that.

Yes, I’m producing a project on her; we’ve been working for about 3 months now. We’ve had such a great time making music together again! She was part of The Renaissance so the music we made together back then was arranged for a group, This is her first solo project. She has always had a great voice, even as a child. When you hear Brenda Lee at 12, she sounded like an adult. Debbie was that way. She would open up her mouth and people would do a double take! It was remarkable.

It has been so much fun hearing her demonstrate her vocal range and musical diversity. She’s written about 6 of the tunes on the CD and I co-wrote one with her. We had a ball in the studio tracking with Brent Mason, David Hungate, John Hobbs, Ric McClure, and Kerry Marx. What a band! The music is kind of retro pop, light jazz and even a little R&B. The lyrics of the tunes are gospel, which has always been our passion! It should be released some time this fall and will be available on the website www.renaissancegospel.com , itunes and CD Baby.

You produced the Jerry Reed Tribute at The Chet Atkins Appreciation Society this past July. How did that come about?

Well, Mark Pritcher (the President of CAAS) called me and asked if I would consider producing a tribute to Jerry during CAAS '09. I was honored and quickly agreed to do it.

I knew the show would be a slam-dunk because the caliber of the guitarists that perform at CAAS are world class! Then the quality, diversity and depth of Jerry’s catalog ensured success! One element that I was particularly pleased with was assembling some of the Jerry Reed band alumni (Kenny Penny, Buddy Greene, Kerry Marx, Roy Vogt and Steve Davidowski) to play as the house band. They brought such authenticity to the night!

Ric McClure (who was one of Jerry’s Thompson StationCongregation band members) was going to play drums but a scheduling conflict kept him from participating (to his chagrin). Randy Mason (Brent Mason’s brother), who is a great drummer, guitarist and vocalist came to the rescue and filled in for Rick. It really was the perfect choice because he already knew all the Reed stuff, growing up on it with Brent (like most of the rest of us Reed fanatics).

The best part of the night, though, was that Jerry’s wife and daughter, Miss Prissy and Seidina came out and allowed us to pour a lot of love out to them. They told me after the show how much it had meant to them. That really made it worth it all! I loved it when Mark Pritcher took the mic at the end of the show and said, “Tonight, we have seen the embodiment of A Thing Called Love”. We all loved Jerry and won’t ever forget him. So now I think I’m gonna go in my studio with one of Craig’s TABs books and learn a new Reed tune!! Son!

This interview first appeared on www.craigdobbins.com 10/19/09.

Alabama Writer's Forum Review

2009-08-01T20:26:00.009-05:00
Delores Jordan, of the Alabama Writer's Forum, wrote a great review of GADSDEN PUBLIC LIBRARY: 100 YEARS OF SERVICE. As one of the authors of the project, I am particularly pleased. You can read the review at the link below - and while you're at it you may want to check out the rest of the site. There is a calendar of literary events and a variety of excellent resources.

http://www.writersforum.org/books/book.aspx?ID=251

2009-05-12T16:58:00.005-05:00

A Craig Dobbins Moment
by Julie S. Dobbins

Note: Craig has decided to include interviews with other guitarists on his website and he has asked me to take on that responsibility. Since I have never interviewed anyone before, we decided that I would start with interviewing Craig B. Dobbins himself. The results were . . . well, you can judge for yourself.
-Julie

JD: Hi Craig. Let’s get started. I have a few basic points of information about you and then we’ll start with the questions. You were born November 16, 1957 and currently reside in Alabama with your wife of 24 years and your 16 year old son. Correct?
CB: That’s correct.
JD: Okay, now for the questions. What were your early aspirations?
CB: A kind of yellow, mucousy sort of stuff.
JD: Um, thanks.
CB: You’re welcome.
JD: Who would you say were your influences in life?
CB: Christopher Columbus and Betty Grable.
JD: I thought it was Maureen O’Hara.
CB: That came later.
JD: Oh. My next question is: who are your musical influences?
CB: Frank Zappa, Jim Croce, Marlene Dietrich . . . anyone with a big mustache.
JD: I see you’re trying to grow your own mustache.
CB: I am?
JD: Never mind . . .
JD: What instruments do you use?
CB: Scalpel, sponge . . .
JD: Let’s talk about education. What kind of education do you have?
CB: Not much.

Lull

JD: Okay. That explains a lot. What about employment?
CB: Not much.
JD: What are you best known as?
CB: That tall guy.
JD: Do you have a list of credits?
CB: Capital One, Bank of America . . .
JD: I didn’t know about Capital One.
CB: I was going to tell you.
JD: When?
CB: I just did.
(Icy stare.)
JD: So, what was your most interesting performing experience?
CB: An appendectomy that I performed on my soon to be deceased gerbil, Horace.
JD: What was your worst performing experience?
CB: An appendectomy that I performed on my soon to be deceased gerbil, Horace.
JD: What was your funniest performing experience?
CB: An appendectomy that I performed on my soon to be deceased gerbil, Horace.
JD: Well, I think that concludes our interview. Thanks for taking the time, I think. It’s been very enlightening.
CB: Happy to help out.
Copyright © 2008 by Julie S. Dobbins

www.craigdobbins.com

Melissa and the Green Blanket

2009-03-26T21:01:00.007-05:00
Melissa had always had the Green Blanket.
It was soft, with satin edges, and she couldn't remember a time when she didn't have it.

The Green Blanket was special because it could make her invisible. If it was time for Melissa to go to bed . . .
. . . all she had to do was sit on the sofa with the blanket over her. Then no one could find her.

When she did go to bed, Melissa made sure she took the Green Blanket with her.

If she heard a scary noise, the Green Blanket would make her invisible again so that monsters couldn't get her.

One day, Melissa Couldn't find the Green Blanket. She looked and looked but couldn't find it anywhere.

Where was it? What happened? Maybe it became invisible! Maybe she would never find it again!

Melissa began to cry.

"What is it, Sweetie?" her mom asked.
"I can't find my Green Blanket," Melissa sobbed to her mother.
"It's okay," her mom assured her.

"No it's not!" cried Melissa, sure she would never see her Green Blanket again. Just then a buzzer buzzed. Her mom left Melissa crying on the sofa.

"Here Sweetie."
Melissa felt something soft and warm and familiar touch her cheek . . .

It was
THE GREEN BLANKET!!

"I washed it for you," explained her mom.
"It smells so good!" exclaimed Melissa. It felt nicer, too.

After that Melissa always knew when her mom washed the Green Blanket.

She would stand by the dryer until it came out and then . . .

. . . they would disappear . . .